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311 pages, Mass Market Paperback
First published May 4, 2004
The romance between them develops quite naturally and at a good pace. Tayg is not your normal super-alpha Highland chieftain; he’s charming and funny and – for the most part – accepts Catriona for what and who she is and is proud of her independence and determination.
Catriona is perhaps a little more of a stereotypical character, a woman who has suffered humiliation at the hands of those who should have protected her and has developed a hard shell as a way of protecting herself from finding herself in that situation again. But she is not too proud to change her ways or to admit to her feelings for her handsome young bard. I did have some issues with her behaviour towards the end of the novel, when she seemed to suddenly turn into an even more stereotypical romantic heroine who couldn’t make up her mind and was then determined to push the hero away because she wasn’t good enough for him, but other than that, I thought she was fairly likeable.
As I said at the beginning of this review, the plot isn’t especially original, but I’ve got nothing against an unoriginal storyline provided it’s well-told and well-written, as is the case here. Both protagonists are strongly and consistently characterised, and the author’s depiction of the Highland winter was very evocative.
Ralph Lister is a very experienced narrator, but I believe this book to be his first foray into the romance genre. I enjoyed his narration very much, although I did have a number of issues with his character portrayals.
He has a very pleasant, slightly husky baritone which is expressive and very pleasant to the ear. His narration was well-paced, his enunciation was clear and I enjoyed listening to him very much.
I did, however, have problems when it came to his interpretation of Catriona and the other female characters. He did raise the pitch of his voice to portray the heroine, but it seemed that almost everything she said, she shouted, even in the more romantic scenes. I don’t know if it was because sustaining the higher pitch was a strain or if it was a conscious acting choice, but in any case, it really didn’t work for me. I know that Catriona is supposed to sound “shrewish” – but that doesn’t mean that she shouts all the time.
Another issue was the one of accents. I know I frequently discuss the authenticity – or otherwise – of different British accents in the audiobooks I listen to, but it’s something that’s really important to me. If I’m supposed to be listening to a Scotsman and yet he sounds like an Irishman, I’m going to find it irritating and it will take me out of the story completely. I do realise that for some, this isn’t as important an issue as it is for me, but this is my review and so I’m going to mention it again!
As soon as the Scottish characters started speaking, I realised that I wasn’t going to be listening to a performance where the accents sounded either consistent or authentic. I can adjust my expectations for that and did so, but I’d be remiss if I didn’t point out that the Scottish accents throughout were distinctly “iffy” and sometimes a character would begin a sentence sounding Scottish and end it sounding Irish. There are definite similarities between those accents, but they’re also distinctly different, and there were more than a few occasions when that happened. I also thought that Mr Lister didn’t seem to have quite decided where to pitch Tayg, as much of the time, he sounded rather high-pitched, which didn’t really fit with the picture of the brawny Highland warrior the author had drawn. His portrayal of Tayg worked best when he kept his voice closer to his natural register, and used a softer tone than the harder-edged one he employed in conjunction with the higher pitch.
One last thing was that it sounded to me as though Mr Lister constantly mis-pronounced the heroine’s name as “Cat-ri-OH-na”, rather than “Catr-EE-o-na”, which is the way I’ve always thought the name was pronounced.
Despite those reservations, however, I did enjoy Charming the Shrew and would definitely consider listening to more of Mr Lister’s work. I think he’s an excellent reader, and welcome his addition to the ever-expanding stable of romance narrators – but I think he needs to re-think the vocalisations of his heroines in any future work in this genre.