The Respectable Prostitute is a harsh, uncomfortable play that deals with issues of race and gender back-to-back. It stars a white prostitute, and features an African-American and a slew of white men, each more vile than the last. In true Sartre fashion, our protagonist finds themselves in an impossible situation, an oppressive, cruel world forcing difficulties and dread on her to which she can barely respond. It is a deeply disturbing play, its short length sufficient to completely break the reader or viewer; in short, a powerful, moving experience.
Lucifer and the Lord, meanwhile, is a small epic, spanning the course of a year. An entirely different work, it takes a detailed look at good and evil, and what they mean in a person's life. It is a less compact play than The Respectable Prostitute, exploring the consequences of decisions over vast amounts of time. An intriguing character arc and enjoyable artistic development thereof make for a fun play, although big and obvious monologues draw a bit from its power. Additionally, the ambiguous nature of good and evil throughout makes for a fascinating character piece and dramatic moments, but ultimately boils down to Sartre's usual brand of existentialism wherein there are no easy answers and sometimes none at all--we are doomed to fail whatever happens, and he has said as much far more elegantly before. It is still a stylistic tour de force, with character progression and drama among the best of them, but the whole could be more consistent.