ix • Introduction • Charles L. Grant 1 • Cold Spell • (1980) • David Langford 14 • The Devil Don't Dance With Strangers • Galad Elflandsson 28 • Our Last Nanny • (1973) • Bernard Taylor 47 • A Night in Possum Holler • Ardath Mayhar 55 • Touring • (1981) • Michael Swanwick, Gardner Dozois, & Jack Dann 79 • Call First • (1975) • Ramsey Campbell 86 • Lucille Would Have Known • (1980) • John Burke 101 • Still Life • Bob Booth 108 • Hear the Whistle Blowing • Alan Ryan 130 • The Colored Transmission • (1974) • R. Chetwynd-Hayes 151 • Rhea • Joseph Payne Brennan 158 • Marriage Vows • Leslie Alan Horvitz 181 • The Glass Doorknob • Melissa Mia Hall 193 • Duck Hunt • Joe R. Lansdale 199 • Markham • (1974) • Reginald Bretnor 223 • Night Laughter • Ellen Kushner 229 • Sleep • Terry L. Parkinson 240 • Forget-Me-Not • (1975) • Bernard Taylor
Charles Lewis Grant was a novelist and short story writer specializing in what he called "dark fantasy" and "quiet horror." He also wrote under the pseudonyms of Geoffrey Marsh, Lionel Fenn, Simon Lake, Felicia Andrews, and Deborah Lewis.
Grant won a World Fantasy Award for his novella collection Nightmare Seasons, a Nebula Award in 1976 for his short story "A Crowd of Shadows", and another Nebula Award in 1978 for his novella "A Glow of Candles, a Unicorn's Eye," the latter telling of an actor's dilemma in a post-literate future. Grant also edited the award winning Shadows anthology, running eleven volumes from 1978-1991. Contributors include Stephen King, Ramsey Campbell, R.A. Lafferty, Avram Davidson, and Steve Rasnic and Melanie Tem. Grant was a former Executive Secretary and Eastern Regional Director of the Science Fiction and Fantasy Writers of America and president of the Horror Writers Association.
Horror author Charles L. Grant edited a number of paperback horror short story anthologies in the 1980s in addition to his Shadows series, starting with Nightmares and ending with this book. I feel he must have grown tired of editing these anthologies at this point, as Grant doesn't even bother introducing the authors before each story as he did in the other books.
With that said, this is my favorite book of the non-Shadows anthologies. Good 70s/80s horror, without a single bad story. My only regret is that Grant significantly reduced his anthology editing after this volume.
This isn’t as compelling a collection as the first one, but Alan Ryan’s “Hear the Whistle Blowing” is great. Very funny sicko edgelord bit with the anecdote about the short bus that got hit by a train.