1 • Prologue • (1985) • essay by Charles L. Grant 8 • Croome House • (1985) • Reginald Bretnor 29 • Used Books • (1985) • Robert E. Vardeman 40 • Street Life • (1985) • Douglas E. Winter 55 • Something in a Song • (1985) • Galad Elflandsson 67 • Hiding from the Sun • (1985) • Nina Kiriki Hoffman 74 • Memory and Desire • (1985) • Alan Ryan 117 • The Red House • (1985) • Robert R. McCammon 140 • Night Catch • (1985) • Chelsea Quinn Yarbro 165 • Nocturne • (1985) • Robert Bloch 173 • A Heritage Upheld • (1985) • Joseph Payne Brennan 212 • The Only • (1985) • Al Sarrantonio 227 • The Disintegration of Alan • (1985) • Melissa Mia Hall 233 • In a Guest House • (1985) • Steve Rasnic Tem 247 • Power • (1985) • Kathryn Ptacek 272 • Chroniclers • (1985) • essay by Charles L. Grant
Charles Lewis Grant was a novelist and short story writer specializing in what he called "dark fantasy" and "quiet horror." He also wrote under the pseudonyms of Geoffrey Marsh, Lionel Fenn, Simon Lake, Felicia Andrews, and Deborah Lewis.
Grant won a World Fantasy Award for his novella collection Nightmare Seasons, a Nebula Award in 1976 for his short story "A Crowd of Shadows", and another Nebula Award in 1978 for his novella "A Glow of Candles, a Unicorn's Eye," the latter telling of an actor's dilemma in a post-literate future. Grant also edited the award winning Shadows anthology, running eleven volumes from 1978-1991. Contributors include Stephen King, Ramsey Campbell, R.A. Lafferty, Avram Davidson, and Steve Rasnic and Melanie Tem. Grant was a former Executive Secretary and Eastern Regional Director of the Science Fiction and Fantasy Writers of America and president of the Horror Writers Association.
The scariest thing about Greystone Bay is how little it seemed to inspire some normally excellent short horror story writers. This was a slog and a disappointment for me. Very few stories got over the three star mark, and none beyond that. Most were two's at best. I usually love Grant-edited horror anthologies, so the disappointment here was double.
I really enjoyed this anthology, which features a roster of writers, both new and familiar to me, that cast their stories in a single, creepy coastal town. The tone varies from story to story and the characters come from different parts of the town; the time period also shifts around. The writing is good across the board and some of the authors achieve a lovely, moody poetry. McCammon’s contribution, “Red House”, not surprisingly stands out among the latter.
I’ve been reading quite a bit of short horror and this collection resonated with me more than others have.
Really excellent, will have to get the rest in the series. My favorite stories:
"Used Books", by Robert E Vardeman "Memory and Desire", by Alan Ryan "The Red House", by Robert McCammon "Night Catch," by Chelsea Quinn Yarbo "A Heritage Upheld," by Joseph Payne Brennen "The Only", by Al Sarrantonio "In the Guest House", by Steven Rasnic Tem "Power", by Kathryn Ptacek
It was disappointing that so many of the story either never mentioned Greystone Bay, or only in passing. I had been under the impression that the stories were intricately connected. They’re not, except for the prologue, Croome House, and Memory and Desire, though that one jumps from one story to the next with no real connection.
There were a couple of really good stories, Robert McCammon’s The Red House, and Kathryn Ptacek’s Power, but they weren’t enough to make up for the disjointedness of the anthology.
I wish there had been more stories about the history of Greystone Bay, and why things that happen there happen there. There are more books in the series, so I may get my wish. I hope so.
This is an older collection but still a pretty darn good one. Greystone Bay is a town where horror is born screaming in the middle of the night, where shadows dance upon the moon, and where monsters refuse to be delegated to mere imagination. Every story is meant to occur within the confines of Greystone Bay, and for the most part you can tell the authors really made an effort to form a cohesive set of tales. Some of them could easily be set just about anywhere, but most help to build up the mythos of the town. This was the first collection in the Greystone chronicles and the only one I've read to date. That said, it won't be the last if I can help it.
This volume is the introduction to one of the finest Horror cities ever created. There is a solid slate of contributors, though in later volumes the class of writers aren't as strong as this one. There is a Lucius Laffing mystery by Joseph Payne Brennan, a fantastically melancholy "Something in a Song" by Galad Elflandsson. Also stories by Robert McCammon, Robert Vardeman, Reginald Bretnor, as well as others. If you can find a copy, buy it, read it and pass it on to others.
I was disappointed by the largely meandering, ponderous stories that make up the first half of this anthology, but right around Robert Bloch’s contribution (of course) things started looking up. Extremely impressed by Al Sarrantonio’s homecoming nightmare “The Only,” and especially by Steve Rasnic Tem’s Aickman-ish “In a Guest House”. Looking forward to seeking out more of their work.
A entertaining collection of short fiction all centering around the fictitious town of Greystone Bay. My copy is signed by the editor and creator of Greystone Bay, Charles L. Grant.
A woman disappears from her grave. Old books bring their readers into new dimensions. A broken man searches desperately for his long-lost father. A man fends off something in the water below his ship. Alan is going invisible. Brian is hearing voices in a guest house.
These stories tackle some interesting concepts, as you can see. But none follow up with surprising twists and turns. And the writing wasn't good enough to make up for dull plotlines.