"The sense of the body flowing from an old comfortable posture / to a new exciting yet strange position" is the animating force in Nathan Hoks' dazzling first collection of poems. His fine gradations of observation ("exciting yet strange") turn the reader into a barometer of strong subtleties like those of the weather, that can be minute even as they affect us powerfully. These poems are like great gulps of fresh air.
Every sentence in this collection feels like an out of body daydream. Like if purgatory was more magical. Like if ayahuasca was a book of poems. "They pet us with their wings. / The wings are shaped like eyebrows. Their eyebrows / burn in water. The water is their home."
Your entrance is never a segue. Your beauty is a bouquet of fossils. The marks on your hand are the marks on my hand. Your surface is always reloading. Your caravan is never exploding. When I have an idea, you are spilling coffee in it. You are wearing yellow and standing by the pink door. Your moth wings are wheels rolling on a floor of cinder blocks. My arms flailing, my teeth gnashing. Your mirror is the swarm of locusts thrashing through the office window. Your mirror is that watermelon sliced and sweating on the sidewalk. Your flecks are the plumes of paper factories. I live in the shadow of your stage coach. I sleep in the corner of your ice castle. Luminescence breeds in our despair.