It is important to note that the majority of the themes explored in this book deal with sensitive subject matters. My review, therefore, touches on these topics as well. Many people might find the subject matters of the book as well as those detailed in my review overwhelming. I would suggest you steer clear of both if this is the case. Please note that from this point forward I will be writing about matters which contain reflections on inappropriate activities of an adult against minors, the disappearance of a minor, & others.
Pitts Landing is in fact, the Pitts, or so claim the group of four (4) young friends who find themselves roaming the streets of their town one summer’s day without any idea of what to do with their free time. After listing off what appears to be a diverse list of ideas, most of which cost money that they do not have, the quartet decides to investigate the Coffman House. This abandoned building sits on the outskirts of the playground, surrounded by overgrown vegetation & is drenched in looming lore; Who lived there? What happened to them? Is someone living in the house now?
I was not expecting this book to be scary, these are, after all, stories written with young readers in mind. However, the reason for which I have put a content warning at the beginning of this review is due to the fact that I read this as an adult with far too much exposure to life & fictional horror to look past how some of the scenes might be interpreted. Firstly, the antagonist of this story is an elderly man whom the local children call ‘Spidey’. He is a ghostly figure who wanders around town, always dressed in black, & whom no one knows very well. He is, at present, living in the basement of the Coffman House when the group of friends decides to explore the premises.
What renders Spidey such a bizarre character in this narrative is the fact that Stine wrote an entity that glimmers along the water’s edge like a ray while simultaneously floating as a crocodile’s body under the surface. Though Spidey is revealed to be a man who used to be a famed scientist, one that is self-proclaimed as being “very evil”, the actions performed by this man teeter on severely dangerous—whereas they are, perhaps, meant to simply be a bit freaky. Should Spidey not have broken into Greg’s room & gone through all his personal belongings in an act that proves to be at once predatory & insane, I might have felt differently. However, the raving delusions of this adult escalate to a scene where he is chasing two (2) of the children down the street & then has them cornered in the basement of the house telling them that they will never be able to leave.
Don’t get me wrong, the way that this character presents himself throughout the narrative is oddly unsettling—a positive attribute to this tale. Spidey is never given enough dimension to comfort the reader in knowing that his devious plans will not find success. He at once acts as a cartoonish fiend, one who is invisible to all other adults, while also leaving the reader to recall that those who appear solely to children with the inducement of fear are indeed, very unsavoury characters.
I could not help but wonder what Spidey’s ultimate goal was when telling the children (Greg & Shari) that he would never let them leave the basement. Certainly, my questions are pointless because this is, again, a book for audiences much younger than myself. The beauty of writing horror is in not necessarily having to include dedicated rationals. Spidey did not need to have a game plan; suffice it to say that the idea of a grown man entrapping children in the basement of an abandoned house was scary enough, we did not need to see him enumerate the ways in which he would keep them captive.
I have no qualms in stating that because this book presented such a duality with its antagonist & with the garish item of the camera that it left me feeling glad to see such pointed writing play out for all ages. I am a firm believer that a good book is, a good book & that all readers deserve to come upon stories that are well-thought-out & well-written. Stine is a wonder at his craft. Though there were times when some of the actions of the younger characters were quite annoying—Shari essentially bullying Greg into bringing the haunted camera—I could understand that this was the essence of the 90s writing style.
Just as I found it outlandish, in a sadly hilarious way, that Jerry, the neighbour who stopped the initial attack by Spidey upon Greg & Shari; would even think to ask if he should call the police when he saw an unknown adult chasing children who were obviously running for their safety. This brings me to my second reason for including a content warning.
During Shari’s birthday celebration, Greg takes her picture & it is revealed to have made Shari invisible. This plays out with the disappearance of the child & has several scenes in which police are searching the premises in hopes of locating her. I acknowledge that this is meant to be linked back to the haunted camera & is in fact not an ominous occurrence. However, I found myself wondering if Spidey had been lurking in the woods during the party. The police investigation was bad, to be blunt. Yet, I did not expect anything more from them because that wasn’t the point—Shari didn’t vanish, she wasn’t kidnapped, she wasn’t abducted, she was in an in-between state due to the haunted camera. Regardless, the scenes which depict her parent's grief are very vivid & this is something, that I think, is important to keep in mind.
In all, this was a wonderful book & one that I will call to mind in future. I find myself grateful to Stine for having taken the time in this life to write so many stories for audiences across the globe. His words play out like a frozen image in our minds, always holding fast to the terror they create.