MANY CULTURES * ONE WORLD "Boricua is what Puerto Ricans call one another as a term of endearment, respect, and cultural affirmation; it is a timeless declaration that transcends gender and color. Boricua is a powerful word that tells the origin and history of the Puerto Rican people." --From the Introduction From the sun-drenched beaches of a beautiful, flamboyan-covered island to the cool, hard pavement of the fierce South Bronx, the remarkable journey of the Puerto Rican people is a rich story full of daring defiance, courageous strength, fierce passions, and dangerous politics--and it is a story that continues to be told today. Long ignored by Anglo literature studies, here are more than fifty selections of poetry, fiction, plays, essays, monologues, screenplays, and speeches from some of the most vibrant and original voices in Puerto Rican literature.
Contents:
Catharsis. Here by Sandra Maria Esteves To the Persecuted by José de Diego The Sounds of Sixth Street by Martita Morales A Letter to a Child Like Me by José Torres It Is Raining Today by Sandra Maria Esteves How to Know the Puerto Ricans by Jesus Colon Island of Lost Causes by Esmeralda Santiago Hallelujahs by José de Diego Puerto Rican Nationalism by Pedro Albizu Campos On Recent Disturbances in Puerto Rico by Luis Muñoz Marin The Boy Without a Flag by Abraham Rodriguez, Jr. Grand River of Loiza by Julia de Burgos The "Lamento Borincano" by José Luis González The Party (From Palante! Young Lords Party) by Pablo Guzman Los Macheteros by Ronald Fernandez Double Allegiance by Rosario Morales Child of the Americas by Aurora Levins Morales Ay Ay Ay, of the Kinky Negress by Julia de Burgos Puerto Ricans: Between Black and White by Clara E. Rodriguez Nigger-Reecan Blues by Willie Perdomo Black and Latino by Roberto Santiago Babylon for the Babylonians (From Down These Mean Streets) by Piri Thomas African Things by Victor Hernandez Cruz The Myth of the Latin Woman: I Just Met a Girl Named Maria by Judith Ortiz Cofer A Mongo Affair by Miguel Algarin Puerto Rican Obituary by Pedro Pietri The Konk by Piri Thomas The Story of My Body by Judith Ortiz Cofer To Julia de Burgos by Julia de Burgos Hangin' (Out) with the Homeboys by Joséph B. Vasquez Niggerlips by Martin Espada Little Things Are Big by Jesus Colon The Docile Puerto Rican - Literature and Psychological Reality by René Marqués The American Invasion of Macun (From When I Was Puerto Rican) by Esmeralda Santiago Urban reality. Monday Morning by Pedro Pietri "Looking Good" by Freddie Prinze Carlito's Way by Edwin Torres Short Eyes by Miguel Piñero Poppa Dio! by Reinaldo Povod Bayaminina by Pedro Juan Soto Roots (From Palante! Young Lords Party) by Felipe Luciano I Became My Own Path by Julia de Burgos Yoruba (From The Santeria Experience) by Migene Gonzalez -Wippler Aunt Rosana's Rocker by Nicholasa Mohr Aerobics for Love by Ana Lydia Vega Malig; Malig & Sal; Sal. (From Dominoes and Other Stories from The Puerto Rican) by Jack Agüeros My Old Flame by Ed Morales HIV by Miguel Algarin Poem for My Death by Julia de Burgos Dedicated to Maria Rodriguez Martinez - February 24, 1975 by Lucky CienFuegos The Freddie Prinze Story by Maria Graniela de Pruetzel A Special Kind of Courage: Bernard Carabello by Geraldo Rivera Loiza Aldea by Victor Hernandez Cruz Redemption. The Final Act by José de Diego
I once used the term "los Anglos" with a Puerto Rican bunk mate of mine. "Who's that? he asked. "The Americans around us". If I had to choose one synecdoche for Latin America, and indeed the whole Third World, it would be Puerto Rico, with its "four-story house" of indigenous, African, Spanish and American influences. The division between the island Puerto Ricans and the "NyoRicans" on the U.S. mainland is another powerful metaphor of colonialism and the seeds of division it sows; think of Chicano/Mexican and Havana versus Havana Cubans. "Boricuas", from Boricua, the Indian name of the island, is an anthology of fiction and non-fiction writings adding up to what the Cuban author Miguel Barnet calls "testimonial literature". Here we have the memoirs of Piri Thomas, growing up in "the mean streets of New York" thinking he was white until the Anglos told him he was Black. Puerto Rican female poetry from the island, among the most famous in the canon of Latin American literature, is fittingly well-represented, along with dramatist, poet, junkie Miguel Pinero ("The Bodega Sold Dreams"). If I have one bone to pick with this volume is that the editor has omitted some fine pieces from the Seventies version of this anthology, particularly a moving essay, "Grandma, Please Don't Come!" (to the USA, that is) and "A Puerto Rican {Catholic} Mass of Liberation."
As a self proclaimed Nuyorican, I'm trying to read and educate myself on where my family comes from and I absolutely loved all the excerpts in this book. I want to read the full versions and continue on my journey and this was a great stepping stone. It has a bit of everything, from history to stories of love and poetry.
A good read for anyone, but if you're Puerto Rican even more so. It is a launching pad for all the content these people have written. Read it then go get more from the many references contained within. Loved it!
Summary: A great compilation of Puerto Rican Stories and poems. I would highly recommend for those who want a flavor of how this writing style is uniquely different/beautiful, or for those interested in working on Latin American Literature in general.
Sadly, I read this on a plane, left the book for someone else to enjoy and lost where I stored the review. I remember enjoying this book and thinking it's even better if you know a bit of Spanish and Puerto Rican culture. I grew up around Boriquas so was excited when I saw a book of this nature.
The topics chosen feel so "real" for lack of a better way to say it. Real to the way I grew up and the people I knew to be cultural different in a beautiful way. The writing style is uniquely different; and I think this is important to understand. There is a bit of G. Garcia Marquez in the sense of the way reality is displayed in words, but yet no. And I think that's the point. The Latin American experience, both overseas and those that write with this dual culture in America is NOT 1 thing. This book is awesome b/c it is distinctly PR. It's not even Caribbean latino. It is PR. To really appreciate this, you will want to catch that difference as you read.
Super rhythmic beautiful language. Kudos for this collection of stories and poems.
Not all compilations are compiled well but this was a work of art. I read this in preparation for a vacation to Puerto Rico and it was a wonderful mix of history, culture, politics and flavor of puerto rico.
I read this book as a way to prepare for a reporting trip to Puerto Rico. I like to read about the place where I am going, but usually I choose one novel instead of an anthology. This anthology helped me really get a sense of the breadth of Puerto Rican literature and history, on the island and in the diaspora. It was published in 1995 and I am curious about what an updated edition would look like today. Reading this book I felt very aware of how little I had previously understood of Puerto Rican history both on the island and in the mainland. I'm grateful to have read it. My only complaint is that Section 5, "Urban Reality," was written entirely by men and seemed to be geared toward being as dark and gritty as possible in such a way that I did not actually believe it to be reality. I would definitely recommend this book to anyone looking to enrich their knowledge of Puerto Rico or the varied experiences of Puerto Ricans.
I find with Hispanic writers I either love them or hate them. I found it to be true of this book also. A collection of both fiction and non-fiction stories. It featured such great writers as Esmeralda Santiago, Piri Thomas and Judith Ortiz Cofer. I wasn't too crazy about the poetry. I also didn't like the political edge of some of the stories particularly the ones that favored the "independistas" as they had a very communistic feel to them.
Very interesting, sociologically. Though, after a while it became to feel like a very heavy read, a downer. I thoroughly enjoyed the last full chapter, especially since it included writing about other topics outside of sociopolitical topics. Puerto Rican artists write about that but also more and are very imaginative. I did not enjoy any of the poetry, however.
An excellent "first anthology" to Boricua history, culture and literature. Includes what you'd expect, as well as some surprises: I didn't know that Freddie Prinze was half Boricua/half *Hungarian*! I ended up giving away my copy when I was done, because a book this good shouldn't just sit on a shelf!
I'm working (& pretending NOT to live) in Puerto Rico, so this book is an interesting look at different perspectives on the complexity of Puerto Rican identity in the context of PR's history of resistance to and acceptance of imperalism.
Rene Marquez' piece is probably the most insightful theory I've read in a long time, and "Boy Without a Flag" (possible typo) is probably one of my favorite personal essays I've read. If I hadn't read it my life would suck.
The book provided an amazing amount of insight into Puerto Rican culture. It was a true exploration and a trip that I needed to make in order to better grasp my own ancestry. The vast experience of these people is so mesmerizing and each chapter held so many surprises. A great read.
This book is a must read for all Puerto Ricans and anyone in general, it gives such a great insight into the culture and struggle of Puerto Ricans. It opened my eyes to what a rich history Puerto Rico has and the sadness of how untold it truly is.
Excellent compilation. It gave me a great perspective of the diversity of lives, attitudes and beliefs among Puerto Rican people. While some readings might not have been my preference, they all contributed to a better understanding for my travels to Puerto Rico.
I read this on a car trip back from NY, where I attended the commemoration of the 100 years of US invasion in Puerto Rico with my daughters in 1998. Highly recommend this book!
“Boricuas: Influential Puerto Rican Writing - An Anthology” is a compilation of Puerto Rican writers edited by journalist Roberto Santiago.
The works chosen speak to the Puerto Rican experience, be it on the island or mainland America, specifically NYC where many families, including my own, immigrated to in the 40s, 50s and 60s.
The book focuses on a diversity of writers and subjects, yet collectively captures themes related to maintaining one’s identity in a society that encourages assimilation into the dominate culture. It speaks to issues of race and identity, due to a culture(USA) rooted in binary views on race. In addition, to the struggles and triumphs of the community as they navigate life for themselves.
Santiago divides the anthology into chapters based on topics. This provides a nice thematic through line to the works that make up those chapters. For me personally, I resonated with the chapters on history and politics and identity and self esteem. Though all the works bring a unique flavor to the anthology. It’s a bit of a tapestry with comedy monologues, scenes from plays, investigative journalist pieces, poetry, and a lot of adults reflecting back on their youth.
What I found most interesting about the book is how much the demographic landscape has changed both in NYC and the larger USA since many of the works were written. These works definitely speak to a bygone era where, at least from reading it, there didn’t seem to be this larger “Latino” umbrella term that encompasses people from Latin America. It makes for an interesting read because of how much NYC has changed since the 1965 immigration act was passed. In many ways this book is my mom and family’s experience and childhood but not my own having been born decades after 1965. That’s not a bad a thing but reading it you get the sense that many of these works were written over 40 years ago.
This was a great read because it exposed me to many writers I sadly hadn’t known existed, due to lack of exposure from schooling but also my own lack of initiative in seeking out Puerto Rican writers. The anthology gave me an opportunity to learn and reflect on my own people’s history in the USA. I feel I know so much more now about issues related to the independence conversation and political movements here in the States than I did before. It also makes me appreciate my own family more, knowing what they had to experience growing up as a minority group in the States in the decades following WWII.
I do wish there were dates connected to each story, I had to contextualize based on slang and particular lines to know what decade I was in, that would be my one criticism.
While I am of Puerto Rican descent I do feel like this could be enjoyed by anyone, as it does speak to common human conflict, internal and external, while also providing readers with back history on the boricua community and experience.
i don’t think i’m an anthology girl just because i get so incredibly annoyed with inconsistent quality. some of the works were absolutely brilliant standouts, a lot of it i frankly had to wade through. but an important read nonetheless!