I’ll wager you can’t put this down. (4 stars)
Kent Anthony has hit the big-time with his brainchild software that will revolutionize banking, and is about to receive a $20 million payout. Along with his wife Gloria and son Spencer, his life is about to change drastically. And it does. But not in the way that Kent expects. To say anything more would give away too much of the plot, and ruin the story-line for those who haven’t read the book. That in itself says a great deal about the power of the story. Alongside Kent and his family is a larger cast of characters, including his old love Lacy, his banking colleagues, and his religious mother in-law Helen and her pastor Bill.
Strengths:
1. Theology: The gripping and suspenseful plot unravels within an important theological framework. Unlike his mother-in-law, Kent is not a Christian, and it is around this that the novel’s action is chiefly concerned. Those familiar with the story of Job will not have difficulty in figuring out the significance of the title about Heaven’s Wager. But contrary to what some readers think, this is not quite a modern day Job story, as Dekker himself makes clear: In Kent’s case Satan’s challenge was not that he could make a righteous man curse God, but “that he could keep an unrighteous man from responding to God’s love.” (p363) The story is essentially a “game”, a “war”, and the prize is “a man’s soul” (p158). Dekker wants the reader to end with self reflection: “The same challenge has been cast over your soul. ... We are all Jobs in one way or another.” (p369) “Over every man there is cast a challenge.” (p364)
2. Plot: This theology is the framework and basis for the novel, but it does not intrude on the plot, which concerns Kent’s struggle with grief, greed and revenge. Kent’s story is a sparkling one, and Ted Dekker is an excellent story-teller. The plot began as interesting, quickly moved to exciting, and in the last stages is a fast-moving pageturner that you won’t be able to put down easily.
3. Character: Not only does Dekker know how to spin a story, he also develops a sympathetic character. He brings the reader into Kent’s mind, allowing us to feel his raw emotions and identify closely with his struggles, joys and pains. These changing emotions are portrayed with vivid colour and conviction.
4. Theme: Kent’s experience clearly shows that money and power does not satisfy, and that true peace can only be found with God.
Although the bulk of the novel concerns Kent’s story, the underlying spiritual battle never comes to the foreground until the final chapter. However the theological premise behind the events that transpire is evident in the character of Helen, who is assigned the task of God’s intermediary and even has visions. She is effectively a “seer” to whom God speaks (p85-86) and for whom the curtain of heaven is occasionally drawn aside: “God was making her see things more clearly these days, just as he’d done with Elisha’s servant. Drawing her into this huge drama unfolding behind the eyes of mortals. She played the intercessor – the one mortal allowed to glimpse both worlds so that she could pray.” (p105). At times Helen’s role becomes somewhat absurd, as God apparently commands her to walk eight hours a day and pray for Kent (p129), which she does in the ridiculous outfit of knee high socks and running shoes. Dekker is careful not to suggest that the outcome is dependent on human prayer, referring to C.S. Lewis’ explanation “for why God insists on us having to do things like pray when he already knows the outcome. It is for the expeirence of the thing. The interaction.” (p180). Elsewhere Dekker writes: “God certainly did not need an old lady’s walking to move his hand. Then again, neither had ne needed old Joshua and his cohorts traipsing around Jericho to tumple the wall, now, did he? And yet he had demanded that. This was not so different.” (p145) Further it might be conceded Dekker is not suggesting that direct revelations and visions are normative for today, and this concept can be accepted as a literary device, similar to the men with green eyes who appear to be supernatural beings. Overall the theological framework is fairly sound, although the way Dekker works it out is not always entirely convincing.
Some problematic areas and questions:
1. One does have to wonder if Dekker’s theology does result in a man-centered story. He suggests that heaven is holding its breath, to see what Kent will decide. “The heavens have been lined with a million creatures, intent on that man’s every move for months.” (p363) In heaven, apparently, are “A million beings peering over the railing at the choices of one man. You would find the real game.” (p229) But the Bible emphasizes that the real choice is the one God makes before the foundation of the world (Eph 1:3-5), and that the choices of men are the work of His Spirit as an outworking of God’s prior choice (John 15:16; Acts 13:48). This appears to be the result of Dekker’s Arminian theology.
2. Conversion is presented as the result of God’s direct self-revelation (p359-61). While this is conceivably possible (as in the case of the apostle Paul), this is the exception, and the norm is that conversion and faith are worked by the Holy Spirit through the gospel and its preaching. By presenting conversion as occurring in this extraordinary way, Dekker misses an opportunity to display the power of the gospel (Rom 1:16; 10:9-10). God and his angels are not spectators to conversion as a pure decision on man’s part, but God Himself is an agent of conversion and sovereignly works that decision by the Word and Spirit.
3. There is the suggestion that experience is to be relied instead of doctrine (p83). When it is suggested to Helen that “You can’t just throw out all doctrine for some experience,” she replies: “And what if that experience is God, the creator? What is more important to you, an encounter with God or your doctrine?” (p256) This is, however, a false dilemma, because the true experience of God will never contradict his revelation in the Bible or the doctrines of Scripture. The Bible tells us that experience is unreliable because Satan can appear disguised as an angel of light (2 Cor 11:14), that he deceives people by wonderous signs and experiences (Matt 24:24; Rev 13:14), and that we are to hold to the doctrines of Scripture even if an angel tells us otherwise (Gal 1:8).
4. Dekker subscribes to the “God loves you” theology of Arminianism (p54.,96,110).
5. The concept of God suffering (p53-4) is questionable.
6. I find it hard to believe that even someone whose appearance has been altered by plastic surgery wouldn’t be recognized through conversation by his voice and vocabulary. But this is a minor quibble.
On the whole it’s a gripping story, and the theological questions the novel raised were not sufficient to prevent me from enjoying the story because the theological framework was more in the background, and the focus was on a fast-moving roller-coaster plot, much in the style of John Grisham’s “The Partner”, although with a more repentant protagonist. Dekker makes mention of tragic events behind Helen’s life in connection with a tragic episode during the war that involved the murdering of a priest (p251-3). This is the story of Book 2 in the series, and the quality of Book 1 has certainly convinced me that I won’t want to miss any more of Dekker’s books!