To begin with, I think it is only appropriate that I admit to being a fairly avid reader of John Sandford over the years, especially a fan of his Lucas Davenport “Prey” series. A pretty big fan to be honest, even though honesty requires me to admit the books have been spotty over the last several years. It seems like every other book is a really good one and the other less than stellar. It may be that Sanford is losing some steam when it comes to creating complex and interesting bad guys. Several of his more recent books have really been long-winded chase scenes that lasted for hundreds of pages.
In the 33rd “Prey” novel, a Federal Judge living in St. Paul, Alex Sand, is shot and killed in cold blood in his home. And Sand is not the only victim. Both of his young sons are also murdered with him in an unspeakable criminal action.
The question is who would have a reason to kill a federal judge like Sands? And his children with him? Besides the list of those that he sent away from prison, Sand is an actively involved part of his community, and preparing to make a large donation to a local charitable organization to create more affordable housing.
His new widow, Maggie Cooper, is left distraught and struggling with losing her family. In addition, she is starting to think about finding the killer herself and seeking some personal revenge for her loss. Especially when the local police and FBI investigation is not getting anywhere and public sentiment is building to find the killer, Maggie’s motivation to seek justice grows and she puts her own plan into action.
This forces the state and federal authorities to call in Lucas Davenport and Virgil Flowers to see if they can work their magic one more time. Lucas has been spending the last several months trying to physically recover from his gunshot wounds from their last case in the prior series book, and he’s ready for anything to get him off of his couch, even if he’s still in pain. Before they know it, our two heroes find themselves mixed in several potential plots of criminal behavior that may or may not get them close to finding a killer before he/she strikes again….
As I forewarned, this is not really one of the stronger books in the “Prey” series. I would call it a causal and somewhat entertaining escapist read. Not that it’s bad. The interconnecting branches surrounding the murder mystery were interesting and enjoyable in a mind-candy sort of experience. Most of the characters were flawed, full of weaknesses that made it obvious that they were either going to have a serious meltdown or get caught. Or both. It was just a matter of time like having a car wreck happen right in front of you.
What carried the reader through is the pure awesomeness of Lucas Davenport and Virgil Flowers, two of the most unique fictional detective characters ever written. They are almost perfect opposites, providing a great compare and contrast personalities, as well as approaches to investigative work.
For me, the magic in this one their great interactions together throughout the entire book. From beginning to end they constant banter made me laugh out loud in fun and easy enjoyment. It didn’t matter whether it was amongst themselves or while interacting with other characters throughout the book, their thoughts and comments were worth the price of admission. I also enjoyed the continuing storyline of Virgil working on becoming a successful novelist, writing mysteries that could hopefully land him on the bestseller list. It’s nice to see Sanford let us behind the curtain a bit.
On the other hand, although the overall storylines were interesting, they were not very compelling, nor provided much tension or suspense. It was a little bit better than a middle-of-the-road “Prey” book. There was another dip in the quality of the plotting again. There was also no real development of any of the primary characters other than Davenport’s physical recovery from his injuries previously sustained and Virgil’s continued development as a writer. Letty made a brief cameo in a phone call. Davenport’s wife, Weather, was there to provide medical support, and Virgil’s wife, Frankie, and the twins make no appearance. Neither do Davenport’s work partners.
Although Sandford’s writing is fast-paced, fluid, and full of the sharp sarcastic style he’s known for, his villains are not as captivating and dangerous as they used to be. They drove the story and the action. As usual, Davenport and Flowers were following from behind most of the way. I will add that I found the ending (last chapter) to be an interesting twist (but no spoilers here), but truth be told, I saw it coming. And I am pretty sure most of you will too.
Overall, for me the good things about Davenport and Flowers made the book worth reading, but they didn’t fully outweigh the crazy and rather less-worthy adversaries opposing them. As I have mentioned in my review of other recent “Prey” novels, my guess is that most Sanford fans will find this an easy and fun read, and I wouldn’t necessarily disagree with that. But for me, this will not be one of the more memorable ones. It was casual mind-candy that provided two fun nights of reading. I will settle for that and move on…