In Getting Medieval Carolyn Dinshaw examines communities—dissident and orthodox—in late-fourteenth and early-fifteenth-century England to create a new sense of queer history. Reaching beyond both medieval and queer studies, Dinshaw demonstrates in this challenging work how intellectual inquiry into pre-modern societies can contribute invaluably to current issues in cultural studies. In the process, she makes important connections between past and present cultures that until now have not been realized. In her pursuit of historical analyses that embrace the heterogeneity and indeterminacy of sex and sexuality, Dinshaw examines canonical Middle English texts such as the Canterbury Tales and The Book of Margery Kempe . She examines polemics around the religious dissidents known as the Lollards as well as accounts of prostitutes in London to address questions of how particular sexual practices and identifications were normalized while others were proscribed. By exploring contemporary (mis)appropriations of medieval tropes in texts ranging from Quentin Tarantino’s Pulp Fiction to recent Congressional debates on U.S. cultural production, Dinshaw demonstrates how such modern media can serve to reinforce constrictive heteronormative values and deny the multifarious nature of history. Finally, she works with and against the theories of Michel Foucault, Homi K. Bhabha, Roland Barthes, and John Boswell to show how deconstructionist impulses as well as historical perspectives can further an understanding of community in both pre- and postmodern societies. This long-anticipated volume will be indispensible to medieval and queer scholars and will be welcomed by a larger cultural studies audience.
Admittedly I have only read the introduction but this is a really interesting text that concerns the homogeneity of history; highlighting the exclusionary tactics used to separate sexual history between the mediaeval and the post modern.
The way Dinshaw defends the field of medieval studies from the perspective of queer theory is highly inspiring. Though her argument seems familiar - I feel like I've read other historians who have the same take on the importance of history to our current milieu - Dinshaw's is perhaps the tightest one I've come across so far.
Overall, this book was a fun read! Dinshaw's analysis of the sodomite accusations thrown between the Lollards and the orthodox as well as her reading of Pulp Fiction are my favorite moments of this book. The humor she weaves into her passages is also on point.
highly interesting queer theory read— i only read the introduction, the barthes section, the beginning of the lollard section, and the margery kempe section closely and skimmed the rest, but i could see myself going back in for more. i’m not a medievalist but it was really interesting to think w caroline dinshaw
A useful book not only for medieval scholars, but for queer scholars working in any time period. She is exhaustive in outlining her critical methods, using an extended introduction to do for queer historiography something like what Eve Sedgwick did for queer theory with the intro to _Epistemology of the Closet_. Dinshaw is interested in looking at the way society's 'untouchables' have touched one another across time, thus building an identificatory community and writing a strategic history of illegal sexuality.
There is a lot to love here. I didn't think I cared about Medieval history, but this book made me realize it is actually related to the only thing I care about anymore, queer community.