Recent plays from "one of the more daring young stylists working today" (David Cote, Time Out New York)
Adam Rapp's plays have captivated audiences across the country with their unflinching explorations of the good, the bad, and the ugly in America's heartland and cities. Gathered here are three of his latest Faster, in which two young grifters try to strike a deal with the devil during the hottest summer on record; Finer Noble Gases, a lament for a band of arrested thirty-year-olds slouching toward adulthood amid East Village decay; and the Off-Broadway hit Stone Cold Dead Serious. An honest, strange, and humorous look at a blue-collar family struggling to survive in the face of disability and addiction, and the seemingly surreal lengths their teenage son will go to save them from themselves, the play prompted Bruce Weber to rave in The New York "Rapp is very gifted, and, even rarer, he has something to say . . . Stone Cold Dead Serious [is] brave, compassionate, and . . . breathtakingly moving. It is the work of a playwright who is forging a real voice . . . Its rendering of the shared language of loved ones illustrates how families can remain intimate even when they are in shards. Its depiction of a working-class America that is unable to dream of anything beyond enduring is as sincerely sad a commentary on our culture as I've seen in recent memory. And its fear for young people is, unfortunately, deeply convincing."
Adam Rapp says that when he was working on his chilling, compulsively readable young adult novel 33 SNOWFISH, he was haunted by several questions. Among them: "When we have nowhere to go, who do we turn to? Why are we sometimes drawn to those who are deeply troubled? How far do we have to run before we find new possibilities?"
At once harrowing and hypnotic, 33 SNOWFISH--which was nominated as a Best Book for Young Adults by the American Library Association--follows three troubled young people on the run in a stolen car with a kidnapped baby in tow. With the language of the street and lyrical prose, Adam Rapp hurtles the reader into the world of lost children, a world that is not for the faint of heart. His narration captures the voices of two damaged souls (a third speaks only through drawings) to tell a story of alienation, deprivation, and ultimately, the saving power of compassion. "For those readers who are ready to be challenged by a serious work of shockingly realistic fiction," notes SCHOOL LIBRARY JOURNAL, "it invites both an emotional and intellectual response, and begs to be discussed."
Adam Rapp’s first novel, MISSING THE PIANO, was named a Best Book for Young Adults as well as a Best Book for Reluctant Readers by the American Library Association. His subsequent titles include THE BUFFALO TREE, THE COPPER ELEPHANT, and LITTLE CHICAGO, which was chosen as a New York Public Library Book for the Teen Age. The author’s raw, stream-of-consciousness writing style has earned him critical acclaim. "Rapp’s prose is powerful, graphic and haunting," says SCHOOL LIBRARY JOURNAL. [He] writes in an earthy but adept language," says KIRKUS REVIEWS. "Takes a mesmerizing hold on the reader," adds HORN BOOK MAGAZINE.
In addition to being a novelist, Adam Rapp is also an accomplished and award-winning playwright. His plays--including NOCTURNE, ANIMALS AND PLANTS, BLACKBIRD, and STONE COLD DEAD SERIOUS--have been produced by the American Repertory Theatre in Cambridge, Massachusetts, the New York Theatre Workshop, and the Bush Theatre in London, among other venues.
Born and raised in Chicago, the novelist and playwright now lives in New York City.
Some dark, twisted, trippy stuff. I am glad to now have the valuable information that people from the Midwest smell like "something between 7UP and caramel corn." Also, superrrr weird to picture Chris Messina playing the uber-oddball character in "Faster."
Honestly? "Finer Noble Gases” is amazing, it’s one of the best plays I’ve ever seen or read. The other two in this book, I could do without. “Faster” I just can’t get into. ”Stone Cold Dead Serious” gets all the glory, but ”Gases” is the gem here.
One of the three plays that I had to read for my Directing class. I was slightly worried about the content of this show, and although it was out there, it all seemed to work in some strange way. P.S. Don't read this script if practically anything offends you.