Frank Stanford was a prolific American poet. He is most known for his epic, The Battlefield Where The Moon Says I Love You— a labyrinthine poem without stanzas or punctuation. In addition, Stanford published six shorter books of poetry throughout his 20s, and three posthumous collections of his writings (as well as a book of selected poems) have also been published.
Just shy of his 30th birthday, Stanford died on June 3, 1978 in his home in Fayetteville, Arkansas, the victim of three self-inflicted pistol wounds to the heart. In the three decades since, he has become a cult figure in American letters.
“Oh Sweet Jesus the levees that break in my heart”
Dark, raw, original, transgressive, complex, violent – all superlatives in the case of Frank Stanford’s poetry, and the words in which this brief collection The Singing Knives can be described. I wish his books weren’t all out of print, because I am now on the hunt.
Concise, brutal and intense. Stanford fits a blunt, straightforward style perfectly with the details of a backwoods life of violent revenge. The poems take on a hallucinatory nature, when the scariest of dreamworld language is in fact real life, where zero rule of law is the law of the land. The poems embody an edgy honesty coming from a writer who shot himself in the head three times in committing suicide at age 30.
One of the most indelible poems, "WISHING MY WIFE HAD ONE LEG":
Caryatid with eyes of nails always being driven with thighs of a canoe and of horses fighting with the back of nine maidens drowning Caryatid with the hair of a flag raised in battle with the thoughts of a severed member and of orphans sleeping with nipples of amethyst on lifted chalices Caryatid with the neck of a bow drawn towards the forest with the sex of a ship coming about and of a wing in a bamboo cage with the voice of a silent chisel Caryatid with the heart of a feather
What is particularly heartbreaking is the way Stanford combines the most horrific acts of violence with the most tender potential of human beings, here exemplified by the joining of "thoughts of a severed member" with "nipples of amethyst on lifted chalices." Stanford combines the most rugged language - Chainsaw / The man cut his hand off at dawn / I heard him yell / I set up in bed / He ran past the window / "Don't let the dog get it" he said (from the last poem, the epic "SNAKE DOCTORS") - with more sophisticated references: "dancing teachers weeping in their offices; / toads with bellies as quiet / as girls asleep in mansions, dreaming (from "Transcendence of Janus").
Like poet Larry Levis, Stanford returns to the same themes, images and characters throughout the 63-page book as if it were all one poem broken up with heavy pauses.
The stark language lends itself to an apocalyptic aura. The feeling I got from the book is that the truth is so painful that only people close to death can ever be totally honest.
wowz. frank u killed yrself and u kill me for those moments when i am reading u. and yet it is the most strangely pleasurable form of death. a death beneath the dead toenails of lorca or vallejo swimming downriver with crawfish in the arkansas river. all those times the rolling stones collectively listened to black blues music while taking some sort of drug just can't compare to any of your poems. i've been to eureka springs where you lived and it's a whacky tourist town in the ozarks it's kindof hard to imagine all yr deaths in the woods just outside of that town, but i'll take your word for it. there was that one time my partner and i went to a winery there and were served by a woman with a "destroy everything" tattoo on her left arm. she said if her husband touched a certain kind of her wine, she would punch him in the head. so there's that...
Extrañísimo pero vívido poemario. Frank Stanford describe bizarros eventos de su ambiente, rural, de pueblo, pero llega a parecer circense o hasta de sueños. Las imágenes son espectaculares y difíciles de olvidar. En uno de sus poemas, el más largo y último del libro, describe cómo un borracho se corta su mano usando una motosierra, y bromea que pensó que era una guitarra. Seguidamente el protagonista, un ser tal vez aún más extraño, la usa para orinar, le habla, la pone junto a una foto de Elvis, saluda con ella a los pescadores y finalmente, cuando las moscas molestan demasiado, la guarda en el ahumador. Todo esto, de entrada insensanto e imposible, lo describe de forma hermosa, armoniosa y con un sentido de normalidad que nos hace cuestionarnos si realmente pasó. Es difícil explicarlo, mejor léanlo
I was thinking about back then before I thought I heard chords on a flute when there was no young bird beating its wings inside my belly no light in my eyes This was long ago before the wise shadows of the fantoccini commanded the land when the moon was the blind eye of a fish in the back of a cave
Gorgeously disturbed Southern Gothic poetry. This collection is much better and makes more sense as a collection than The Light the Dead See, even though they have several of the same poems.
Come back dull and bloody all of you let it hold the shame inside itself like a helmet bring a little soil each time for a pillow you aren’t as many as you were
Beautiful and haunting; this collection leaves your spine chilled, images flashing, with a need to return to nature, whether or not it is a full return or a night's walk. Stanford reminds of the need to stay fresh in writing, with a shift approximately halfway through that takes us from humanistic relationships to humans relating to nature. Imagistic and heartfelt and a much-read-again. This book needs to make it to my shelves as soon as possible.
One never feels entirely safe in a Stanford poem, as they don't stray far from the blade. His images, rooted in the Deep South, and are filled with scars, buried secrets, and haunted dreams. Brilliant writing that cuts to the bone.
Inside this little poetry book holds Frank Stanford's first collection of poetry. Roughly for me, I happen to believe that these poems are mostly about the dare I say it, the beauty of violence and those surreal, oddball-ish long, dark and yep weird nights.