Another novel in the Sano Ichiro series, with the requisite political machinations and murder, Fire Kimono follows the same general formula of the previous novels, but with added layers of familial loyalties that elevate the tale and give it deeper resonance. Although the author's formulaic approach in plotting and characterization are still evident, there are moments which flesh out some of the details and make the story more compelling.
The character of Lieutenant Asukai is portrayed more completely than most of Rowland's characters, and the conflicting loyalties of Yoritomo play out well. The return of Yanagisawa is a welcome one, as he is by far the most compelling character in the series. His development from simple villain in the earlier books to a brilliant and ruthless player with loyalties and affections of his own has shown some of the best writing to date. The main characters, however, display the same cardboard quality and ridiculous behavior, though Sano's character is at least beginning to show that he can be a player in the machinations toward power, more shrewd and devious than in previous novels, which gives some depth to his 'lone warrior of justice and honor' trope.
Other flaws in Rowland's writing still remain. The repetitive quality of the recaps, both of previous novels and of the action within the book, the clunky way the repercussions of previous novels are presented, and the introduction of totally new information seem forced for the sake of plot rather than genuine development. Additionally, Rowland's constant need to spell out the subtext of events - she just tells us the import of what characters learn, and is not subtle about it - seems to assume that readers are too dense to realize what's actually going on. Rowland still employs the fade-in fade-out technique of transition between scenes (characters make a plan which the reader is not privy to until the execution of the plan yields results) which gives the story a made for TV quality, and I always feel like the characters are going to pop cigars into their mouths and announce that they love it when a plan comes together.
I did, however, find this a welcome return to the natural world, especially following the ludicrously designed insertion of supernatural detail in the previous novel. Note: I have no problem with supernatural elements per se, as long as it's consistent of the series as a whole (the example that pops into mind of Lincoln and Child's Pendergast series), or is used to illustrate the character's or the culture's interpretation of unusual events. Rowland, however, introduces supernatural happenings at whim, and it makes her otherwise well researched and fleshed out world feel inconsistent and less believable.
While the book has its flaws, they are the same ones I tend to expect from the series, so I am not going to ding the book for being formulaic and a bit two dimensional. Much of the world building is immersive, with sensual details which give the world a realness that balances some of the flaws. The annoying habit of the lead characters blurting out details to every character of interest has been curbed greatly, and makes them seem less like naive, bumbling fools. The plot, though a tad convoluted, moves along nicely, and other than the diversions into the 'tell them what you just told them, but break it down like they're idiots' path, the pacing is good. The depiction of contrasting family tensions and the flashes of insight from the Shogun indicate that Rowland is at least trying to expand her horizons and add greater subtleties to her writing.
Fun, but flawed popcorn book.