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New Worlds: Maps from the Age of Discovery
Take a journey into the past, to a world where exotic beasts and even stranger locals stalk cartographic voids, where sea monsters and floating islands lurk beyond uncertain shores, where the borders between myth and reality are blurred. Here, gathered from five centuries of exploration, are over 200 maps of oceans and continents, mountains and forests, cities and shires. Presented in chronological order, these maps record the adventures and discoveries - not to mention fantasies and outright lies - of explorers, merchants and travelers. Taken together, they chart our discovery of the world as science, legend, politics and art are blended together by the cartographer's craft. Presenting an illustrated history of the Age of Discovery, New Worlds displays our finest maps and tells the stories of the explorers, rulers, scientists, artists and charlatans who created them.
224 pages, Hardcover
First published September 1, 2006
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Displaying 1 - 5 of 5 reviews
November 6, 2014
It’s a rare being who is not fascinated by maps. Tourists and visitors, walkers, fans of epic fantasy, students and readers of self-help books with mind-maps all appreciate a bit of good cartography, and the modern virtual world is awash with them as the options on any search engine will demonstrate. Their function is to be informative of course, but they can also be works of art in their own right and items of interest to antiquarians, collectors, lawyers, historians and a whole host of other specialists. Not forgetting any old Tom, Dick or Harriet now profiting from this general availability online — just as in the Renaissance period a rich middle class were profiting from more easily acquired maps due to the invention of printing.
New Worlds is a collection of some one hundred and twenty printed maps spanning four and a quarter centuries, in full colour, each example with its own set of notes. The earliest dates from 1475, a schematic diagram still reliant on the medieval concept of the mappa mundi, with Jerusalem plumb centre and literally oriented with the east at the top. Soon, however, maps were being printed based on the writings of Ptolemy in the 2nd century, much closer to modern conceptions in having north at the top and rudimentary outlines of Europe, North Africa and parts of Asia. What lingers from the medieval mindset is the use of representational images, such as anthropomorphic zephyrs providing winds from twelve different directions. The discovery of the New World in the last decade of the 15th century meant that new ways of representing a spherical world on a two-dimensional plane were urgently needed.
In the early 16th century there were experiments with various projections, most notably with cordiform and double-cordiform (heart-shaped) maps, in an effort to incorporate details of both eastern and western hemispheres as they became known. Unfortunately, in their zeal to fill up all the available space much creativity was employed. Not just decorative cartouches were in evidence but also figurative illustrations — benighted natives from exotic climes were very popular, as were exotic beasts, both imaginatively and usually inaccurately portrayed. Worst of all, geographical details were invented. Typically these included a postulated southern continent which somehow incorporated all of Antarctica and Australia, and an Arctic continent which Gerard Mercator depicted surrounding a physical North Pole in an inland sea from which four rivers flowed in Biblical fashion. Swift excoriated much of the cartography of the period with a famous rhyming jibe (which the authors quote) and even included such idiosyncrasies in his Gulliver’s Travels.
So Geographers in Afric-maps / With Savage Pictures fill their Gaps; / And o’er uninhabitable Downs / Place Elephants for want of Towns.
But as time went on accuracy improved even as the pictorial elements remained to enliven the publication and attract buyers. Unlike later atlases these maps were largely for display purposes, and needed to draw the eye. That visual appeal meant that we have bird’s eye or panoramic views of settlements and towns in potential colonies; troop dispositions at key battles; coats of arms of leading families in English county maps; fantastical sea creatures, mythological figures and sailing ships in those huge expanses of oceans; and local scenes — real or imagined — for maps of exotic places. Everywhere there are cartouches, explanatory sections contained within a scroll- or shield-like border which also served the purpose of hiding lands unknown. Above all the huge sweep of European expansionism — for better or worse — is emphasised again and again.
We are also introduced to novelty maps — allegorical delineations of countries such as a harp for Ireland, whimsical 'Maps of Matrimony', and playing card maps. But my favourite aspects of these maps are features that could come straight out of The Dictionary of Imaginary Places. Sheer inaccuracies or anachronisms abound that lend these early maps a huge fascination for me. These include California as a island, even when earlier maps show it clearly as a peninsula; phantom islands in the Atlantic such as Frisland, Estotiland, Brasil and the Island of St Brendan; and a river that flows unimpeded from the west to the east coast of Africa — or possibly the other way round.
It’s difficult to do more than give a flavour of this book. Like its subject it’s visually attractive in its guise as a coffee-table book, but it also has the detail that reveals the authors know whereof they speak. Included are the expected contents list and introduction, with a bibliography, index and picture credits at the back. Sandwiched in between are those maps in chronological order so that developments in cartography can be appreciated as well as changes in styles of presentation. It’s also worth having a magnifying glass at hand to appreciate the finer detail, but the sheer gorgeousness of the individual examples is what impresses each time the book is opened.
http://wp.me/s2oNj1-maps
New Worlds is a collection of some one hundred and twenty printed maps spanning four and a quarter centuries, in full colour, each example with its own set of notes. The earliest dates from 1475, a schematic diagram still reliant on the medieval concept of the mappa mundi, with Jerusalem plumb centre and literally oriented with the east at the top. Soon, however, maps were being printed based on the writings of Ptolemy in the 2nd century, much closer to modern conceptions in having north at the top and rudimentary outlines of Europe, North Africa and parts of Asia. What lingers from the medieval mindset is the use of representational images, such as anthropomorphic zephyrs providing winds from twelve different directions. The discovery of the New World in the last decade of the 15th century meant that new ways of representing a spherical world on a two-dimensional plane were urgently needed.
In the early 16th century there were experiments with various projections, most notably with cordiform and double-cordiform (heart-shaped) maps, in an effort to incorporate details of both eastern and western hemispheres as they became known. Unfortunately, in their zeal to fill up all the available space much creativity was employed. Not just decorative cartouches were in evidence but also figurative illustrations — benighted natives from exotic climes were very popular, as were exotic beasts, both imaginatively and usually inaccurately portrayed. Worst of all, geographical details were invented. Typically these included a postulated southern continent which somehow incorporated all of Antarctica and Australia, and an Arctic continent which Gerard Mercator depicted surrounding a physical North Pole in an inland sea from which four rivers flowed in Biblical fashion. Swift excoriated much of the cartography of the period with a famous rhyming jibe (which the authors quote) and even included such idiosyncrasies in his Gulliver’s Travels.
So Geographers in Afric-maps / With Savage Pictures fill their Gaps; / And o’er uninhabitable Downs / Place Elephants for want of Towns.
But as time went on accuracy improved even as the pictorial elements remained to enliven the publication and attract buyers. Unlike later atlases these maps were largely for display purposes, and needed to draw the eye. That visual appeal meant that we have bird’s eye or panoramic views of settlements and towns in potential colonies; troop dispositions at key battles; coats of arms of leading families in English county maps; fantastical sea creatures, mythological figures and sailing ships in those huge expanses of oceans; and local scenes — real or imagined — for maps of exotic places. Everywhere there are cartouches, explanatory sections contained within a scroll- or shield-like border which also served the purpose of hiding lands unknown. Above all the huge sweep of European expansionism — for better or worse — is emphasised again and again.
We are also introduced to novelty maps — allegorical delineations of countries such as a harp for Ireland, whimsical 'Maps of Matrimony', and playing card maps. But my favourite aspects of these maps are features that could come straight out of The Dictionary of Imaginary Places. Sheer inaccuracies or anachronisms abound that lend these early maps a huge fascination for me. These include California as a island, even when earlier maps show it clearly as a peninsula; phantom islands in the Atlantic such as Frisland, Estotiland, Brasil and the Island of St Brendan; and a river that flows unimpeded from the west to the east coast of Africa — or possibly the other way round.
It’s difficult to do more than give a flavour of this book. Like its subject it’s visually attractive in its guise as a coffee-table book, but it also has the detail that reveals the authors know whereof they speak. Included are the expected contents list and introduction, with a bibliography, index and picture credits at the back. Sandwiched in between are those maps in chronological order so that developments in cartography can be appreciated as well as changes in styles of presentation. It’s also worth having a magnifying glass at hand to appreciate the finer detail, but the sheer gorgeousness of the individual examples is what impresses each time the book is opened.
http://wp.me/s2oNj1-maps
July 31, 2012
An excellent book by the founders of mapforum.com, who know better than most the weird passion for maps that inspire some of us. This would be a must-own if it was only for the visuals; it's a lovely book, nicely designed on fine glossy paper, and stuffed with beautiful full-color maps. But it's a lot more than that: it's engagingly written, full of interesting tidbits, and very informative, with a wide-ranging perspective that the mapmakers from the age of discovery were engaging in art as much as science or craft. A wonderful read.
September 18, 2013
This is a book of maps. Map? Maps! Maps that are full of details (some real, some less so), shapes ( creative or realistic), and of various artistic nature are featured in this awesome collection. If you are like me and can spend hours looking at the various details and art found on a map then this is definitely worth your time.
June 29, 2009
There's the island of California! There's the giant whirlpool-turned-abyss at the center of the North Pole! There are the boats of Turks on the sea!
February 11, 2023
Size does matter. This takes two hands to hold. It weighs, too. So, find somewhere strong. I prefer a kitchen table, cleared and clean. Laid down, it's safest. Lean over. Wherever you want to begin is fine. Front or back or in the middle, you're sure to like some part. Snuggle up and acquaint yourself. Just be prepared for what's ahead.
Fantasies include half human/ half dragon beasts. Sea creatures are rife. Especially with the oldest, imaginations go wild. So, give yourself plenty of time.
An amazing reminder that the real thing is better than an app on any phone.
Fantasies include half human/ half dragon beasts. Sea creatures are rife. Especially with the oldest, imaginations go wild. So, give yourself plenty of time.
An amazing reminder that the real thing is better than an app on any phone.
Displaying 1 - 5 of 5 reviews