Hemlock , a chapbook chronicling a lonely summer lost to the brain’s raucous shouting, swings wildly between anxiety and joy, juggling questions and proclamations alike about god, the body, and gender-unrestrictive desire. Self-aggrandizing and self-deprecating all at once, the speaker here declares that “Yes, I belong to my excesses” but that the “body is // a mixed metaphor,” one that expands and contracts with one’s mental state, connecting to the world and retreating from it.
Emilia Phillips is the author of three poetry collections from the University of Akron Press, most recently Empty Clip (2018), and four chapbooks, including the Hemlock (Diode Editions, 2019). Her poems and lyric essays appear widely in literary publications including Agni, American Poetry Review, Ploughshares, Poetry, and elsewhere. She’s an assistant professor in the MFA Writing Program and the Department of English at the University of North Carolina at Greensboro.
Emilia Phillips is the author of a previous collection, Signaletics (University of Akron Press, 2013), and three chapbooks, most recently Beneath the Ice Fish Like Souls Look Alike (Bull City Press, 2015). She's received fellowships from the Bread Loaf Writers' Conference, the Kenyon Review Writers' Workshop, U.S. Poets in Mexico, and Vermont Studio Center. Her poetry and lyric essays have appeared in Agni, Harvard Review, The Kenyon Review, New England Review, Ninth Letter, Ploughshares, Poetry, and elsewhere. She is the Assistant Professor of Creative Writing at Centenary College of New Jersey and the 32 Poems interviews editor.
I've enjoyed Adam's work for a while now. This is the first of his written works I've read, though. It's a short little chapbook of poems about fathers, family, sexuality and identity. It's a quick read in terms of length, but each poem demands time. Enjoyable and beautiful.