In her second collection of poetry, the winner of the 2003 Barnard Women Poets Prize offers a series of dark and witty poems that include spoofs of and riffs on the vagaries of social interactions, postconfessional lyrics, and other edgy works. By the author of Manderley.
Rebecca Wolff is the editor of Fence and the author of Manderley, Figment and Continuum. She lives in Athens, New York, with her family and is a Fellow of the New York State Writers Institute.
Wolff's poetry here is eliptical and often terse: seeming plain language used to evoke the strange or make the everyday weird. Her moreaphoristic poems linger in the mind long after being read, although sometimes this eleptical turn in the longer poems can seem alienating, but do reward close readings and running with assiocations. Wolff's language play and rhythm is subtle but also slightly discordant and can strke some readeres as stilted.
I don't want to like these poems because I'm supposed to like them and I so badly want her to like my poems and put me in Fence one of these days but damn if I'm not liking this book. Feels familiar, but satisfying.
* * * Well, now I'm feeling the limitations of the book. The music is a bit stilted. I like some of the sounds, but the rhythm is halting. Reminds me of an album where all the songs are in the same key.
These poems are not easily digested or interpretted, but her wordplay and aletness to irony kept me engaged, even if I had to put it down a couple of times.