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Les vaines tendresses
《枉然的柔情(诺贝尔文学奖作家文集)(精)》收入苏利·普吕多姆不同时期的代表作近200首，涉及宗教与科学，艺术和爱情等诸方面。诗人把早年不幸的感情经历注入诗中，创作出大量优秀的情诗，如《献词》《忧虑》等等，意象卓绝，文字清丽，同时受康德、黑格尔等哲学大师影响，升华了自己的精神世界，进而形成个性鲜明的独特诗风，在群雄逐鹿的法兰西诗坛脱颖而出。 译者在饱读普氏诗作的基础上，撷取其中精华，译成《孤独与沉思》一书，于20世纪90年代推出，曾在读书界风靡一时。本书由《孤独与沉思》增补而成，增加了《抒情诗与诗》及《枉然的柔情》中的一些作品，书名也由法文而来，同时调整了部分篇目，对原先译文作了较大程度的修订，更适合新一代读者的阅读口味。
321 pages, Hardcover
Published August 1, 2018
1 person is currently reading
About the author
Sully Prudhomme
198 books43 followersRené François Armand (Sully) Prudhomme 16 March 1839 – 6 September 1907) was a French poet and essayist, winner of the first Nobel Prize in Literature, in 1901.
Born in Paris, Prudhomme originally studied to be an engineer, but turned to philosophy and later to poetry; he declared it as his intent to create scientific poetry for modern times. In character sincere and melancholic, he was linked to the Parnassus school, although, at the same time, his work displays characteristics of its own.
Prudhomme attended the Lycée Bonaparte, but eye trouble interrupted his studies. He worked for a while in the Creusot region for the Schneider steel foundry, and then began studying law in a notary's office. The favourable reception of his early poems by the Conférence La Bruyère (a student society) encouraged him to begin a literary career.
His first collection, Stances et Poèmes ("Stanzas and Poems", 1865), was praised by Sainte-Beuve. It included his most famous poem, Le vase brisé. He published more poetry before the outbreak of the Franco-Prussian War. This war, which he discussed in Impressions de la guerre (1872) and La France (1874), permanently damaged his health.
During his career, Prudhomme gradually shifted from the sentimental style of his first books towards a more personal style which unified the formality of the Parnassian school with his interest in philosophical and scientific subjects. The inspiration was clearly Lucretius's De rerum natura, for the first book of which he made a verse translation. His philosophy was expressed in La Justice (1878) and Le Bonheur (1888). The extreme economy of means employed in these poems has, however, usually been judged as compromising their poetical quality without advancing their claims as works of philosophy. He was elected to the Académie française in 1881. Another distinction, Chevalier de la Légion d’honneur, was to follow in 1895.
After, Le Bonheur, Prudhomme turned from poetry to write essays on aesthetics and philosophy. He published two important essays: L'Expression dans les beaux-arts (1884) and Réflexions sur l'art des vers (1892), a series of articles on Blaise Pascal in La Revue des Deux Mondes (1890), and an article on free will (La Psychologie du Libre-Arbitre, 1906) in the Revue de métaphysique et de morale.
The first writer to receive the Nobel Prize for Literature (given "in special recognition of his poetic composition, which gives evidence of lofty idealism, artistic perfection and a rare combination of the qualities of both heart and intellect"), he devoted the bulk of the money he received to the creation of a poetry prize awarded by the Société des gens de lettres. He also founded, in 1902, the Société des poètes français with Jose-Maria de Heredia and Leon Dierx.
At the end of his life, his poor health (which had troubled him ever since 1870) forced him to live almost as a recluse at Châtenay-Malabry, suffering attacks of paralysis while continuing to work on essays. He died suddenly on 6 September 1907, and was buried at Père-Lachaise in Paris.
Born in Paris, Prudhomme originally studied to be an engineer, but turned to philosophy and later to poetry; he declared it as his intent to create scientific poetry for modern times. In character sincere and melancholic, he was linked to the Parnassus school, although, at the same time, his work displays characteristics of its own.
Prudhomme attended the Lycée Bonaparte, but eye trouble interrupted his studies. He worked for a while in the Creusot region for the Schneider steel foundry, and then began studying law in a notary's office. The favourable reception of his early poems by the Conférence La Bruyère (a student society) encouraged him to begin a literary career.
His first collection, Stances et Poèmes ("Stanzas and Poems", 1865), was praised by Sainte-Beuve. It included his most famous poem, Le vase brisé. He published more poetry before the outbreak of the Franco-Prussian War. This war, which he discussed in Impressions de la guerre (1872) and La France (1874), permanently damaged his health.
During his career, Prudhomme gradually shifted from the sentimental style of his first books towards a more personal style which unified the formality of the Parnassian school with his interest in philosophical and scientific subjects. The inspiration was clearly Lucretius's De rerum natura, for the first book of which he made a verse translation. His philosophy was expressed in La Justice (1878) and Le Bonheur (1888). The extreme economy of means employed in these poems has, however, usually been judged as compromising their poetical quality without advancing their claims as works of philosophy. He was elected to the Académie française in 1881. Another distinction, Chevalier de la Légion d’honneur, was to follow in 1895.
After, Le Bonheur, Prudhomme turned from poetry to write essays on aesthetics and philosophy. He published two important essays: L'Expression dans les beaux-arts (1884) and Réflexions sur l'art des vers (1892), a series of articles on Blaise Pascal in La Revue des Deux Mondes (1890), and an article on free will (La Psychologie du Libre-Arbitre, 1906) in the Revue de métaphysique et de morale.
The first writer to receive the Nobel Prize for Literature (given "in special recognition of his poetic composition, which gives evidence of lofty idealism, artistic perfection and a rare combination of the qualities of both heart and intellect"), he devoted the bulk of the money he received to the creation of a poetry prize awarded by the Société des gens de lettres. He also founded, in 1902, the Société des poètes français with Jose-Maria de Heredia and Leon Dierx.
At the end of his life, his poor health (which had troubled him ever since 1870) forced him to live almost as a recluse at Châtenay-Malabry, suffering attacks of paralysis while continuing to work on essays. He died suddenly on 6 September 1907, and was buried at Père-Lachaise in Paris.
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