In this heartrending and inspiring novel set against the gorgeous, vast landscape of South Africa under apartheid, award-winning playwright Pamela Gien tells the story of two families–one black, one white–separated by racism, connected by love. Even at the age of six, lively, inquisitive Elizabeth Grace senses she’s a child of privilege, “a lucky fish.” Soothing her worries by raiding the sugar box, she scampers up into the sheltering arms of the lilac-blooming syringa tree growing behind the family’ s suburban Johannesburg home.Lizzie’s closest ally and greatest love is her Xhosa nanny, Salamina. Deeper and more elemental than any traditional friendship, their fierce devotion to each other is charged and complicated by Lizzie’s mother, who suffers from creeping melancholy, by the stresses of her father’s medical practice, which is segregated by law, and by the violence, injustice, and intoxicating beauty of their country. In the social and racial upheavals of the 1960s, Lizzie’s eyes open to the terror and inhumanity that paralyze all the nation’s cultures–Xhosa, Zulu, Jew, English, Boer. Pass laws requiring blacks to carry permission papers for white areas and stringent curfews have briefly created an orderly state–but an anxious one. Yet Lizzie’s home harbors its own set of rules, with hushed midnight gatherings, clandestine transactions, and the girl’s special task of protecting Salamina’s newborn child–a secret that, because of the new rules, must never be mentioned outside the walls of the house.As the months pass, the contagious spirit of change sends those once underground into the streets to challenge the ruling authority. And when this unrest reaches a social and personal climax, the unthinkable will happen and forever change Lizzie’s view of the world. When The Syringa Tree opened off-Broadway in 2001, theater critics and audiences alike embraced the play, and it won many awards. Pamela Gien has superbly deepened the story in this new novel, giving a personal voice to the horrors and hopes of her homeland. Written with lyricism, passion, and life-affirming redemption, this compelling story shows the healing of the heart of a young woman and the soul of a sundered nation.
This book is a beautiful love letter to Africa. A letter from a soul mate who knew it was all horribly flawed and it would never work out, but loved you deeply anyway. No description I can give will do it justice so I'll just leave a few pieces here to stand on their own.
"There was nothing gorgeous about Clova-except the feeling you had when you were there. It was just a simple place, a beloved refuge in the looming, graceful shadow of the Soutpansberg Mountains, five hours north of Johannesburg...Just a dusty farm, really, a quiet place to run wild with the picaninns by day, and when the sun gave up so did you, falling into exhausted sleep, scrubbed and smelling of violets and camphor cream for new-burnt patches. An old place, to run free as a monkey and filthy as you pleased. Bursting barefoot from the car out into the rose-brown furrows, you knew for certain you were in a lucky place."
"...Mahila was the old witch doctor who lived here on the land where we now stood. Black as the stenching folds of a bat's underbelly, he was said to cast spells into the wild, dry air with such skill that if you fell down crippled, you would never know who did it."
"...to my great relief, I mysteriously grew into a lanky girl of sixteen, with a modicum of prettiness. I'd finally adapted to my long feet, which now seemed the right size for my body...I was astonished that overnight I had indeed become something of a lady after all. The monkey I once was had been cast off, like my mud coat, and left somewhere, like a little fallen shadow."
"Butterflies. I don't mean the majestic kind. I just mean the ordinary kind, bobbing about, the kind that come and go, and stun you with their beauty just the same. And you never forget the bright, momentary blur of them."
If that's not enough beauty for you, check out the author's beautiful face!
I made to around page 75 before I gave up. I just couldn't follow the story between the all the South African words I was confused as to what they were referring to (no clue there was a glossary in the back-stick it up front!) and the narration by a six-year-old. Lizzie's narration is so disjointed and choppy that I just couldn't stand it anymore. I really didn't like having the voice of a kindergartener narrate what I'm sure would be a compelling story of growing up during apartheid.
I loved the idea of this book--a novel told from the perspective of a 6-year old girl in 1960's South Africa--but I had a hard time really getting into it. It may have been that I read it during a time when I had a lot on my mind, or it may have been the wandering style in which it's written, but I often found myself distracted from the words on the page. The setting was great and the novel offered some interesting historial insight but overall, I found the plot a bit lacking. It was good, just not fantastic.
While I ultimately enjoyed this book, it felt very uneven to me and would have been better with at least another hundred pages, oddly enough. The early chapters were very slow, but then the characters aged decades at a time and there was little resolution towards the end. The first person narration was also uneven, as it wasn't clear if Elizabeth was speaking for herself as a 6-year old girl or reflecting back on her life when she was 6. Seemingly important threads were just left to hang, too, like Elizabeth's relationship with her mother--what was the point in establishing their closeness to only skip over that final visit like it didn't matter? It was also disappointing to learn that the central symbol, the syringa tree, is an invasive species! I'm not sure how much I learned about South Africa from the perspective of a young white child, too. I think I'd prefer a novel written from Salamina or Moliseng's perspectives.
This entire review has been hidden because of spoilers.
Like To Kill a Mockingbird, it tells a challenging story through the eyes of a little girl. For this book the story was of the South African apartheid in the 60s. The ending was stunningly beautiful.
I read reviews that detailed the challenges of not knowing so many references so it was confusing. That was part of the beauty for me. I stopped, looked things up, and let the new details enrich my reading.
If you like description and history and strong characters, you will love this book.
This book really pushed me to learn more about South Africa, and I loved it for that. However, I did not enjoy reading from a small child's perspective. Also, this book frequently dragged for me. And I just couldn't love the characters. That makes it harder to enjoy a book. The overall story was good though, and worth reading. I think this is a book for avid readers, not reluctant or occasional readers.
The Syringa Tree was about a white family in South Africa who was different than most families. They treated thier servants like their own family and both had respect for eachother. Lizzy was the main character and the oldest child of the Grace family. She was put through alot of hardships throughout the book that included watching the head servants infant and keep her safe and secret from the police. She had a father who was a doctor who secretly helped blacks and whites in the same business and would make house calls at all times of the night. Lizzy lost her servant, Salamina, when she was 11 years old and considered Salamina to be a second mother who did not say good-bye. She dealt with the death of the servants child when she found out in a newspaper. The child was only 14 yrs old and she felt responsible for not keeping her safe. Lizzy grew up to be a strong independant women with a good family. The live over in America. The book ends with her returing to South Africa to find Salamina and to make peace with her homeland. It is differently culturally from America because of how serious the Apartheid was and what took place on it's homeland. Their were many killings of children who were unprotected and discrimination of races that produced proverty country wide. The authors purpose in writing this text is to show the perspective of a white child growing up in South Africa and how she did not agree with her surroundings but could do nothing drastic to change anything. The evidence that supports my conclusion is that she explains many times how Lizzy thinks it is unfair and how the government/ police were not to be trusted. At the end of the book all she wants to do is get out of the country because she can not stand it anymore and how it was getting worse by not changing any of its policies. The theme of the text is to create a history based storyline. It had facts about the country and also combined the life story of lizzy grace and how she grew up in the hardships of South Africa. I would recommend this text to anyone who likes to read heartrenching books that makes the reader become open minded about their own life story. This book has alot of detail and facts that will be easier to understand if researched before reading the book. It is a moving book and I recommend reading it.
This entire review has been hidden because of spoilers.
I struggled with the first 100 pages of this book. I have to be honest, I was ready to put it aside, but my book club colleague who had chosen the book urged me to stick with it. I was glad I did. A tale of apartheid in South Africa, Ms. Gien is at her best when the characters have dialogue. This may be due to the subject being a play the author first and then a novel. She seemed determined, in that first 100 pages, to describe to the smallest degree the setting, time and place as if it were stage instructions. Once we got past that and into the actual story, the book took off. I kept wondering why I knew so little of South Africa and the apartheid situation there in the '60s. I knew of Nelson Mandela and that they struggled with civil rights, but this book really opened my eyes. Although I struggled, I'm glad I finished it.
Not written for an American audience The language was difficult to understand because of the different dialect. There is a glossary at the back of the book which most of us didn't discover until we'd already struggled through most of the story. And as one member of my book club pointed out, there is a problem if they have to put a glossary at the back of the book. The narrator is unconvincing as a six year old girl. The writing is very random and sporadic. The book is full of non-essential characters. I wouldn't recommend this book to anyone. It is definitely written for a South African audience.
Another book group selection and, with the exception of one person, we all hated this book. It was an Oprah Book Club choice at one time, and we normally don't chose those. But this book was highly recommended. Oprah described it as "inspiring and uplifting". I must say that this was one of the most depressing books that I have read in ages and I only finished it because it was for my book group. If there was anything "uplifting" in this book, for the life of me I don't know what it could have been.
The first 100 pages or so of this book were a bit monotonous which made it easy to put the book down. It finally got interesting at about 150 pages. Would I recommend this book….umm, probably not, even though I gave it 3 stars.
If you like books about South Africa, then I would recommend two books (true stories) by Alexandra Fuller, "Don't Let's Go To The Dogs Tonight" and "Cocktail Hour Under The Tree Of Forgetfulness".
An eye-opening tribute to South Africa. Pamela Gien writes beautifully about Apartheid and the relationships of South Africans to one another through the innocent eyes of a young white girl who doesn't understand the seriousness of what she is experiencing in her childhood while under the care of her black nanny Salimina. A beautiful goose-bumps raising read.
Pamela Gien describes this book as a “ love story” . And it truly is. The love for South Africa, the people, the customs, the language and between the characters in the book. It was just beautiful. The words she chooses made me drunk with pleasure. The characters in the book are so easy to fall in love with. And even though it was at the time of Apartheid it focused on so much more than that. It is told by the main character who is a 6 yr old and continues as she grows up and the changes she endured. I have traveled in South Africa twice and the book brought me immediately back to all the smells, the sounds, the wind, the stars, the color of the earth and the trees. You know when you read a book and you say to yourself “ I have to go there! “ Well I can tell you after reading The Syringa Tree I am destined to go back. I highly recommend.
This is one of those books that will never leave your memory or heart. The writing style is unique, and took me a few pages to get used to, but then I embraced her powerful, musical words and moved along with this heart-breaking story of two families, one white and one black, in South Africa. This is not a "white savior" story, but an honest portrayal of how families can become intertwined, and share their trials and losses. Absolutely gorgeous and memorable.
A literary look at South Africa from a British household with loyal Xhosa servants and Afrikaner neighbors. The racial and cultural tensions are explored on the periphery of everyday events, told through the eyes of a young British girl.
Interesting that this novel started as a play, instead of the other way around. Very descriptive, gentle, and slow... too slow for my taste. Maybe start with the play?
A way to become immersed in the complicated social dynamics of South Africa, by living with the Brits, the Jews, the Afrikaners and the tribal black South Africans in this story as it relates to the life of the author.
An inferior effort to the great book by Elspeth Huxley, Flame Trees of Thika which is an actual memoir whereas this is fiction, but a valiant effort. If you like this book, do not deprive yourself of the original which obviously inspired it.
This book definitely grew on me. It started out slow with, what I thought, was too much description. But the scenery and lifestyle melded into the tale being told. The end portion of the book moved me to tears, as I had come to live with them in their Africa. It is especially poignant today when the U.S is such a divided country.
This is absolutely the best book I have read in a long time! It seemed to reach in and grab me and never let go. It's the story of South Africa in the 60's, as told through the eyes of a young white girl. It is the tragedy of apartheid and the triumph and strength of human spirit over the pain and despair. It is also the most honest book I have read about this time period in South Africa's history.
What I loved too was the memories it stirred up - the names of things I had long forgotten, the beautiful descriptions of the Highveld, the maid's bed on bricks to keep the tokoloshe away! It was brilliant!
The words penned by author Pamela Gien as the main character, Elizabeth, returns to South Africa for a visit, after living in America, rang so true to me. I've experienced this very feeling ... "We began our descent into Johannesburg as the sun was setting, sealing the red-rimmed sky with the fiery fragrance of African smoke and earth. As we walked down the steps of the plane, I filled my lungs with it almost to crying. Now I knew, I said, laughing at myself ..., why exiles kiss the earth upon their return".
This is a book I would recommend to anyone. You don't have to be South African to enjoy and appreciate this excellent book!
IT Ended up being a little hard to follow. It was well written and an interesting story. IT might be because it was a play first and then she turned it into a novel. Because of the flow of it I gave it three stars but these are the things I liked about it ... Also there is a glossary at the end. I wish I would have known that when I started it.
I just started this book and am only on page 50 but it is so descriptive I love it. I'm having some problems getting through all the South African terms but once I figure out what everything is it will flow better. Here are some examples. "He was so burnt you might have thought he shot up to the sun for his bath each morning." Here's another, "The syringa tree rose from the ground at the back of the property. Its golden berries followed syrup-sweet clusters of flowers exploding from its branches like suspended meteor showers to release their fragrance into the air-tiny star-shaped blooms, from palest lilac to the deepest purple, like the inside of someone's heart. Its shadow was generous, its roots black, gnarled, and deep." It's really beautifully written and I like the characters but I'm not very far along yet.
Although I always wanted to read this book, I was concerned when I read the dust cover that it might be something like The Verwoerd Who Toyi-toyied, where the Afrikaner is made out to be evil incarnate. I was pleasantly surprized. The book is wonderfully written with the most beautiful descriptions of the way life was experienced by the story-teller. The cultures and beliefs that were not clear and of which the story-teller had no first hand experience were not slandered (as the current trend in writing - in an attempt to be politically correct?), but rather told from the storyteller's perspective and view point only, without judgement.
I could not put the book down, not only because of wanting to know what happens, but also because of the wonderful way the writing takes you to experience another world, how it makes you feel what the storyteller is feeling. I enjoyed reading the book tremendously.
An interesting story about growing up in South Africa in the 1960s and 1970s. Elizabeth Grace is the daughter of a doctor, Isaac, and a beautiful but depressed mother, Eugenie. She is cared for by a household of black servants, but especially Salamina. She is a privileged child, but not Afrikaans, so she is considered inferior to her next door neighbor Loeska and other blond, blue-eyed Afrikaans people. As laws segregating people become more strict, racial tensions accelerate and violence increases. Salamiina has a baby daughter Moliseng, who must be hidden because she has no papers to allow her to live with the Graces in Johannesburg. If she is found, she'll be taken away from her mother and sent to live in the township of Soweto. Lizzie's "job" is to keep track of Mollie and make sure she is hidden when she needs to be.
Exquisite. The syringa tree has different meanings and is used in different ways throughout the novel. Well-developed story told from the pov of a young Jewish girl growing up before and during Apartheid in South Africa. Her family is not Afrikaans, so she is not fully accepted but still privileged as a white person. There are so many dimensions to this tale: Lizzie's loving relationship with her nanny, Salamina and Salamina's daughter, Moliseng, whom it is her job to protect; her desire to be friends & playmates with the Afrikaan girl next door; her closeness with her father and grandfather; her troubled, fragile mother. The author skillfully weaves them together in a captivating tale that reveals the beauty, the tragedy and the challenge of South Africa. Haunting and hopeful. This book will stay with me.
The first 80 pages or so were tough for me to get through, and I almost decided to put it down and forget it. I read a review on here though that recommended sticking it out, and I'm glad I did. I do wish, however, that there had been some indication at the beginning of the book that there was a glossary in the back. It took me probably until about 70 pages or so into the book to realize it was there. There were a lot of words unfamiliar to me used, and it is one of the reasons I was getting frustrated with the book. Then I discovered the glossary and found it helpful. Like I said, I just wish there was some little note about it at the beginning of the book, so I would have known it was there. Also, if I had been reading on a Kindle, I'm not sure I would have discovered the glossary until I got to the end of the book.
This is the beautifully-told, but painful, story of a family caught up in the pivotal time of change in South Africa. When external reality is painful, the little girl at the center of the story escapes into the syringa tree. As the tyrany of apartheid grows, she finds others escape there, too -- black South Africans scramble up into the sheltering branches in flight from the searchlights of the police. The parents and grandparents in this story, based on the author's own family, are truly admirable in their attempts to fight the inexorable.
Author Pamela Gien, who has a related Obie-winning play, gave an interview including some riviting dialect readings, on Diane Rheam: http://wamu.org/programs/dr/06/09/04.php.