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AsiaPacifiQueer: Rethinking Genders and Sexualities
This interdisciplinary collection examines the shaping of local sexual cultures in the Asian Pacific region in order to move beyond definitions and understandings of sexuality that rely on Western assumptions. The diverse studies in AsiaPacifiQueer demonstrate convincingly that in the realm of sexualities, globalization results in creative and cultural admixture rather than a unilateral imposition of the western values and forms of sexual culture. These essays range across the Pacific Rim and encompass a variety of forms of social, cultural, and personal expression, examining sexuality through music, cinema, the media, shifts in popular rhetoric, comics and magazines, and historical studies. By investigating complex processes of localization, interregional borrowing, and hybridization, the contributors underscore the mutual transformation of gender and sexuality in both Asian Pacific and Western cultures.
Contributors are Ronald Baytan, J. Neil C. Garcia, Kam Yip Lo Lucetta, Song Hwee Lim, J. Darren Mackintosh, Claire Maree, Jin-Hyung Park, Teri Silvio, Megan Sinnott, Yik Koon Teh, Carmen Ka Man Tong, James Welker, Heather Worth, and Audrey Yue.
Contributors are Ronald Baytan, J. Neil C. Garcia, Kam Yip Lo Lucetta, Song Hwee Lim, J. Darren Mackintosh, Claire Maree, Jin-Hyung Park, Teri Silvio, Megan Sinnott, Yik Koon Teh, Carmen Ka Man Tong, James Welker, Heather Worth, and Audrey Yue.
288 pages, Hardcover
First published October 3, 2008
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Displaying 1 of 1 review
March 3, 2009
Aside from a women’s studies class I took as an undergraduate, of which I remember very little, thoughts on gender and sexuality typically have not taken up much of my time. AsiaPacifiQueer: Rethinking Genders and Sexualities totally changed my perception on these subjects. As a self-proclaimed tomboy, who happens not to be a lesbian, society is much more accepting of my “ways” than they would be if I were an effeminate man. The essays and examinations gathered here by the editors take this subject to an infinitely crucial level in understanding what it means to fall outside of another proverbial box, from a non-Western cultural perspective.
AsiaPacifiQueer brings into focus the dynamics of colonialism, language, and religion, and their shaping of a particular culture seeking to understand itself. It begins with post-World War II Japanese homosexuality and its manifestations through an occupational perspective. In this essay, white collar and working class occupations both play a major role in how work ethic is portrayed in shaping masculinity. This masculinity still finds prevalence in male-male companionship, as evidenced by its over-representation in personal advertisements for male-male companionship.
The essay “Grrrl-Queens” by Clare Maree captures the use of how Japanese language is used not only as a powerful tool with which to communicate across gender lines, but also as a means in which to protest traditional uses of expected gendered communication. One-kotoba is considered a type of language and speech pattern used traditionally by gay men, and is "a parody of stereotypical women’s language," considered to be a hyperfeminine style of speech. However, it is purposely used by some lesbian women as an act of resistance to stereotypes of the "butch" lesbian.
In Kam Yip Lo Lucetta’s essay, "Recognition Through Mis-Recognition," the concept of masculine women in Hong Kong is one of a right of passage. Tomboyism is considered a phase that teenage girls go through before maturing to femininity. It does not generate as much anxiety and can even bring benefits in the workplace (the capable worker), provided it is temporary. Needless to say, for those who continue this phase on through womanhood, it represents a failed woman and a disqualified adult.
AsiaPacifiQueer represents a critical discourse though works that are about more than just queer studies. It opens up a much needed dialogue on how society uses gender and sexuality to dictate its economic, creative, and interpersonal relationships with its every conceivable contact. It is inevitable that in this examination, given the aforementioned hopes, it should create a wider spectrum with which to reevaluate the relationship between gender and sexuality.
Review by Olupero R. Aiyenimelo
AsiaPacifiQueer brings into focus the dynamics of colonialism, language, and religion, and their shaping of a particular culture seeking to understand itself. It begins with post-World War II Japanese homosexuality and its manifestations through an occupational perspective. In this essay, white collar and working class occupations both play a major role in how work ethic is portrayed in shaping masculinity. This masculinity still finds prevalence in male-male companionship, as evidenced by its over-representation in personal advertisements for male-male companionship.
The essay “Grrrl-Queens” by Clare Maree captures the use of how Japanese language is used not only as a powerful tool with which to communicate across gender lines, but also as a means in which to protest traditional uses of expected gendered communication. One-kotoba is considered a type of language and speech pattern used traditionally by gay men, and is "a parody of stereotypical women’s language," considered to be a hyperfeminine style of speech. However, it is purposely used by some lesbian women as an act of resistance to stereotypes of the "butch" lesbian.
In Kam Yip Lo Lucetta’s essay, "Recognition Through Mis-Recognition," the concept of masculine women in Hong Kong is one of a right of passage. Tomboyism is considered a phase that teenage girls go through before maturing to femininity. It does not generate as much anxiety and can even bring benefits in the workplace (the capable worker), provided it is temporary. Needless to say, for those who continue this phase on through womanhood, it represents a failed woman and a disqualified adult.
AsiaPacifiQueer represents a critical discourse though works that are about more than just queer studies. It opens up a much needed dialogue on how society uses gender and sexuality to dictate its economic, creative, and interpersonal relationships with its every conceivable contact. It is inevitable that in this examination, given the aforementioned hopes, it should create a wider spectrum with which to reevaluate the relationship between gender and sexuality.
Review by Olupero R. Aiyenimelo
Displaying 1 of 1 review