Maxine Kumin's 17th poetry collection, published in the spring of 2010, is Where I Live: New and Selected Poems 1990-2010. Her awards include the Pulitzer and Ruth Lilly Poetry Prizes, the Poets’ Prize, and the Harvard Arts and Robert Frost Medals. A former US poet laureate, she and her husband lived on a farm in New Hampshire. Maxine Kumin died in 2014.
It really grew on me. She is semi-formal. I didn’t care for some stylistic choices. My favorite poems were Beans, In These Signs, and Watering Trough. It talked a lot about death, which was sad. I guess people like to talk about it to feel important.
First read, two stars, second read three, now a four. That might be my definition of good poetry: what looks simple at first glance needs more time.
Beans
Having planted that seven mile plot He came to love it More than he had wanted. His own sweat Sweetened it. Standing pat On his shadow Hoeing every noon it came to pass In a summer long gone That Thoreau Made the earth say beans Instead of grass.
You, my gardener Setting foot Among the weeds That stubbornly reroot Have raised me up Into hellos Expansive as Those everbearing rows.
Even without the keepsake strings to hold the shoots of growing things I know this much: I say beans at your touch.
It is indecent of this bird to sing at night and leave no shadow. I flap up out of sleep from some uncertain place dragging my baggage: a torn pillow, a tee shirt and a braided whip. O Will, Billy, William wherever you are and under whatever name this doleful bird must tell me one hundred and forty-six times the same story. It is full of fear. Such shabbiness in those three clear tones! Pinched lips, missed chances, runaways, loves you treated badly, a room full of discards, I among them.
I am tired of this history of loss! What drum can I beat to reach you? To be reasonable is to put out the light. To be reasonable is to let go. The eye of the moon is as bland as new butter. There is no other light to wink at or salute. Now let the loudest sound I send you be the fuzzheads of ripe butternuts dropping tonight in Joppa like the yellow oval tears of some rare dinosaur, dropping to build up the late September ground.
I did not feel one shred of New England in these poems. They also seemed to be the anti-Mary Oliver type of poems that instead of celebrating nature, dourly complains of it. I am sure they appeal to someone.