An electrifying collection of poems from the author of The Sellout , winner of the 2016 Man Booker Prize
Originally published in 1994, Paul Beatty’s second volume of poetry won praise for the way it “pushes the boundaries of free verse while assessing the landscapes of African American autobiography” ( Bomb Magazine ). In these poems, which explore aspects of race, identity, and popular culture, Beatty was honing the comic, satirical voice and vivid imagination that came to full realization in his acclaimed fiction. Joker, Joker, Deuce “moves to fierce urban rhythms, both cool and hot,” writes Jessica Hagedorn. “A rush of intense visual images and electric word music.”
Paul Beatty (born 1962 in Los Angeles) is a contemporary African-American author. Beatty received an MFA in creative writing from Brooklyn College and an MA in psychology from Boston University. He is a 1980 graduate of El Camino Real High School in Woodland Hills, California.
In 1990, Paul Beatty was crowned the first ever Grand Poetry Slam Champion of the Nuyorican Poets Cafe. One of the prizes for winning that championship title was the book deal which resulted in his first volume of poetry, Big Bank Takes Little Bank. This would be followed by another book of poetry Joker, Joker, Deuce as well as appearances performing his poetry on MTV and PBS (in the series The United States of Poetry). In 1993, he was awarded a grant from the Foundation for Contemporary Arts Grants to Artists Award.
His first novel, The White Boy Shuffle received a positive review in The New York Times, the reviewer, Richard Bernstein, called the book "a blast of satirical heat from the talented heart of black American life." His second book, Tuff received a positive notice in Time Magazine. Most recently, Beatty edited an anthology of African-American humor called Hokum and wrote an article in The New York Times on the same subject.
“but everything we did was nigga quid pro quo if you brought up sigmund freud or hegel you had to counterbalance the eurolabel with dubois without sayin how much him and freud looked alike”
Beatty, god of the beats. The Ginsberg influence is evident, but the work is all Beatty.
Dear Mr Beatty - I think you are extraordinary. This is one of the wildest smartest books of poetry I've ever read. It's an absolute gift: remarkable and unrepeatable. Can't wait to read more!
Contains a great humor poem: Why That Abbot and Costillo Vaudeville Mess Never Worked on Black Folks Who's on first? I don't know, your mama. Worth checking out.
This entire review has been hidden because of spoilers.