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Post-Soul Nation: The Explosive, Contradictory, Triumphant, and Tragic 1980s as Experienced by African Americans

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After the extraordinary social and political upheaval of the 1960s and 70s, African American culture splintered in the “post-soul” decade of the 1980s. Black entertainers, athletes, politicians, and spiritual leaders enjoyed unprecedented prominence and influence while at the same time drugs and crime ravaged once-vital black neighborhoods. Michael Jordan dominated basketball and Michael Jackson swept the Grammys, but rage and desperation ruled the streets. In this fascinating history, Nelson George, one of the country’s leading black cultural critics, chronicles the African American 1980s in all its excess, creativity, and despair.

Sifting through the media, popular music, the arenas of sports and politics, cultural trends, street slang, and the changes that rocked Hollywood, Washington, Wall Street, and Madison Avenue, Post-Soul Nation will further confirm George as one of our most dynamic and original cultural commentators.

256 pages, Hardcover

First published January 19, 2004

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About the author

Nelson George

75 books117 followers
Nelson George is an author, filmmaker, television producer, and critic with a long career in analyzing and presenting the diverse elements of African-American culture.

Queen Latifah won the Golden Globe for playing the lead in his directorial debut, the HBO movie 'Life Support'. The critically acclaimed drama looked at the effects of HIV on a troubled black family in his native Brooklyn, New York. He recently co-edited, with Alan Leeds, 'The James Brown Reader (Plume)', a collection of previously published articles about the Godfather of Soul that date as far back the late '50s. Plume published the book in May '08.

He is an executive producer on two returning cable shows: the third season of BET's American Gangster and the fifth airing of VH1's Hip Hop Honors. George is the executive producer of the Chris Rock hosted feature documentary, Good Hair, a look at hair weaves, relaxers and the international black hair economy that's premiering at the 2009 Sundance Film Festival.


Nelson George serves as host of Soul Cities, a travel show that debuted in November 2008. on VH1 Soul. Nelson visited Los Angeles, New Orleans, Philadelphia, Memphis, New Orleans and the Bay Area. He eats food, visits historic sites, and hears lots of music. LaBelle, Robin Thicke, Babyface, Rafael Saadiq, Angie Stone and Jazmine Sullivan are among the many artists who talked with Nelson and perform. The second season starts shooting in Spring 2009.

Throughout the '80s and '90s George was an columnist for Billboard magazine and the Village Voice newspaper, work that led him to write a series of award winning black music histories: 'Where Did Our Love Go: The Rise and Fall of the Motown Sound'; 'The Death of Rythm & Blues'; and 'Hip Hop America'. He won a Grammy for his contribution to the linear notes package on the James Brown 'Star Time' boxed set. George co-wrote 'Life and Def', the autobiography of his old friend Russell Simmons. He's also had a career writing fiction, including the bestselling 'One Woman Short', and the story, 'It's Never Too Late in New York', which has been in several anthologies of erotica.

As a screenwriter George co-wrote 'Strictly Business', which starred Halle Berry, and 'CB4', a vehicle for Chris Rock. His work with Rock led to his involvement with 'The Chris Rock Show', an Emmy award winning HBO late night series. He was an executive producer of Jim McKay's film, 'Everyday People', which premiered at the Sundance festival, and Todd Williams' Peabody award winning documentary 'The N Word'. In 2009 Viking will publish his memoir, 'City Kid', a look at the connections between childhood in Brooklyn and his adult career in Manhattan, Los Angeles and Detroit.

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Displaying 1 - 4 of 4 reviews
Profile Image for Edward Champion.
1,658 reviews130 followers
June 2, 2021
A decent (dare I say it, bloggy?) overview of Black life and culture during the 1980s arranged in timeline form, accentuated by George's dependably acerbic voice.
294 reviews
May 12, 2010
Black Americans in the 1980s became figures of influence as never before, while a conservative government sought to chip away at hard-won advances, and the twin plagues of AIDS and crack began to blight the lives of millions of ordinary citizens. George, novelist and journalist, borrows some of John Dos Passos's "Newsreel" technique (from the massive trilogy USA) to tell linked stories of oppression and freedom, in a present tense that makes for extraordinary intimacy and quickness.

George is a superb reporter, and hindsight allows him to focus only on the stories that interest us today, though he uncovers many a half-forgotten cause celebre. His critical judgments provoke admiration and further thought. Sometimes they're arcane: about the characters played by Carl Weathers and Mr. T. in Rocky III (1982), he writes, "In writing the characters, screenwriter Stallone actually anticipates the black cultural wars that shape much black pop culture for the next twenty years." Here they all are-Michael Jordan, Prince, Colin Powell, Whitney Houston, Tawana Brawley, Eddie Murphy, the rise of Jesse Jackson, the birth of BET (Black Entertainment Television), the horrific bombing of MOVE headquarters in Philadelphia, the Ishmael Reed-Alice Walker war over The Color Purple. George's extensive background is in music, film, fashion and sports reporting, and he also does a good job discussing 1980s literature. He's especially thorough on the rise of rap and hip-hop music and culture, and is pithy on pop: "While Michael [Jackson:]'s ongoing theme is paranoia, Janet's is overdue sexual awakening and exploration." Only in the visual arts does the material seem thin on the ground: one might think Jean-Michel Basquiat was the only African-American painter working in the '80s, actually an extremely vibrant era for black painters and artists.
This entire review has been hidden because of spoilers.
6 reviews3 followers
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November 21, 2010
Fast and furious, this book never slows down in its recounting of the 80's. I wish it was a little more in depth, but then it wouldn't be such a fast read.
Displaying 1 - 4 of 4 reviews

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