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The Given and the Made: Strategies of Poetic Redefinition
Join Professor Helen Vendler in her course lecture on the Yeats poem "Among School Children." View her insightful and passionate analysis along with a condensed reading and student comments on the course.
How does a poet repeatedly make art over a lifetime out of an arbitrary assignment of fate? By asking this question of the work of four American poets--two men of the postwar generation, two young women writing today--Helen Vendler suggests a fruitful way of looking at a poet's career and a new way of understanding poetic strategies as both mastery of forms and forms of mastery.
Fate hands every poet certain unavoidable "givens." Of the poets Vendler studies, Robert Lowell sprang from a family famous in American and especially New England history; John Berryman found himself an alcoholic manic-depressive; Rita Dove was born black; Jorie Graham grew up trilingual, with three words for every object. In Vendler's readings, we see how these poets return again and again to the problems set out by their givens, and how each invents complex ways, both thematic and formal, of making poetry out of fate.
Compelling for its insights into the work of four notable poets, this book by a leading critic of poetry is also invaluable for what it has to tell us about the poetic process--about how art copes with the obdurate givens of life, and about the conflict in art between the whim of fate and the artist's will to choose.
How does a poet repeatedly make art over a lifetime out of an arbitrary assignment of fate? By asking this question of the work of four American poets--two men of the postwar generation, two young women writing today--Helen Vendler suggests a fruitful way of looking at a poet's career and a new way of understanding poetic strategies as both mastery of forms and forms of mastery.
Fate hands every poet certain unavoidable "givens." Of the poets Vendler studies, Robert Lowell sprang from a family famous in American and especially New England history; John Berryman found himself an alcoholic manic-depressive; Rita Dove was born black; Jorie Graham grew up trilingual, with three words for every object. In Vendler's readings, we see how these poets return again and again to the problems set out by their givens, and how each invents complex ways, both thematic and formal, of making poetry out of fate.
Compelling for its insights into the work of four notable poets, this book by a leading critic of poetry is also invaluable for what it has to tell us about the poetic process--about how art copes with the obdurate givens of life, and about the conflict in art between the whim of fate and the artist's will to choose.
- GenresPoetryLiterary Criticism
154 pages, Paperback
Published September 15, 1995
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About the author
Helen Vendler
71 books86 followersHelen Vendler is the A. Kingsley Porter University Professor at Harvard University, where she received her PhD in English and American Literature in 1960. Before joining the Harvard faculty, Vendler taught at Cornell, Swarthmore, Haverford, Smith, and Boston University.
Vendler has written books on Yeats, Herbert, Keats, Stevens, Shakespeare, Whitman, and Heaney, and, most recently, Our Secret Discipline: Yeats and Lyric Form (2007), Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill (2010); Dickinson: Selected Poems and Commentaries’ (2010); and The Ocean, the Bird, and the Scholar: Essays on Poets and Poetry (2015). She also reviews contemporary poetry for the New Republic, London Review of Books, and other journals. She has held fellowships from, among others, the John S. Guggenheim Memorial Foundation, Woodrow Wilson Center, and National Endowment for the Humanities, and is a member of the American Philosophical Society, American Academy of Arts and Letters, American Academy of Arts and Sciences, Swedish Academy of Arts and Sciences, and Modern Language Association, of which she was president in 1980.
Vendler has written books on Yeats, Herbert, Keats, Stevens, Shakespeare, Whitman, and Heaney, and, most recently, Our Secret Discipline: Yeats and Lyric Form (2007), Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill (2010); Dickinson: Selected Poems and Commentaries’ (2010); and The Ocean, the Bird, and the Scholar: Essays on Poets and Poetry (2015). She also reviews contemporary poetry for the New Republic, London Review of Books, and other journals. She has held fellowships from, among others, the John S. Guggenheim Memorial Foundation, Woodrow Wilson Center, and National Endowment for the Humanities, and is a member of the American Philosophical Society, American Academy of Arts and Letters, American Academy of Arts and Sciences, Swedish Academy of Arts and Sciences, and Modern Language Association, of which she was president in 1980.
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