Obsédé par le meurtre de son frère Colin, abattu en pleine rue par le conducteur d?une Bentley, Perlman fait une fixation sur Leo Kelroy, truand à l?ancienne qui gère divers business et possède une Bentley. Par ailleurs, son enquête sur plusieurs meurtres racistes à Glasgow lui fait découvrir l?existence d?un groupe baptisé ?Colère blanche?, qui milite pour une Angleterre propre, débarrassée de sa racaille. Lou lutte contre sa hiérarchie et une Special Branch dirigée par un imbécile pour traquer à sa manière le meurtrier de son frère, ainsi que l?auteur de ces crimes. Son énergie, sa rigueur morale et son obstination alimentée par un flair exceptionnel lui permettront de découvrir la vérité. Mais à quoi bon ? Le coupable ne paiera pas. Une fin certes dérangeante pour l?amateur de polars, mais douloureusement réaliste.
Autres titres : Roulette russe (Presses de la Cité). Au Masque : Tu iras en enfer ? L?ombre du frère .
Born in Glasgow, Scotland, Campbell Armstrong got a degree in philosophy before taking a position teaching creating writing. After his excellent series about counterterrorism expert Frank Pagan, Mr. Armstrong has written several compelling novels of crime and life in his native Glasgow.
I thought I was ordering 'White Rage' by Carol Anderson, a book about racial divide. Instead I got this, a detective thriller set in Glasgow. It's also about racism - a secret sect that calls themselves White Rage go on a killing spree, targeting non-white people in the city - but it's definitely not what I was looking for.
I'm sure the author wrote it thinking he was being an ally, but the effect is the opposite. Rant incoming.
Firstly, all the nonwhite characters serve no purpose in the book except to be brutally murdered. We barely get to know them, they are given no agency or depth of character. The white characters are up front and centre.
Secondly, it's pretty horrific to use the murder of nonwhite people as entertainment for a presumed all-white readership.
Thirdly, the book demonstrates absolutely zero awareness of what racism is and how it manifests. He chooses only to focus on the violent extremes and ignores the systemic, cultural, and social forms of racism that are just as damaging, even if less visible.
This is why it's never a good idea for a white man writing books about white characters for white readers, to think they can write a book about racism. Just - don't. No. Books like this contribute to the problem.
The book is 20 years old and still topical. There was a bit too much Perlman for me. Nowadays I find that the troubles of troubled policemen get boring rather quickly.
White Rage, number two in the series, picks up about four months after the conclusion of the first novel. Feisty Lou Perlman is confronted with racism, hate groups, and of course, murder. He knows how to antagonize his superior officers, knows how to appreciate the affectations of his sister-in-law Miriam, and discovers the misery of extreme pain. An overall very good read.