Storyline: 3/5
Characters: 3/5
Writing Style: 2/5
World: 4/5
Wow! And just in case that did not adequately convey the sentiment, WWWwwwwwwooooooowwwwww!!!!!!!! It is a treat to read something so stamped through with ambition. All the more so when that ambition is matched equally with effort and purpose. I have read other Bear works that were more passively enjoyable but nothing about them prepared me for this.
This was purposeful. A sit-up-and-take-notice purposiveness where word choices matter, timely clues drop, perspectives shift on a precise schedule. You have to deem it either pretentious or astounding; there is no middle ground. It is in its mysteriousness this pulses most strongly. Everything is shrouded in secrecy. It is not even clear what all is being shrouded. Character identity, the world backdrop, the relationship between perspectives, and the very purpose of the book—these are all going to be slowly revealed in Bear’s own carefully constructed timetable. The story is plaited with bold confrontations with race, inequity, and the implications of technological development. No component is accidental, no theme mere adornment.
Though deserving of a certain awe, there are elements that keep this from being magisterial. Some of the detractions are simply the antipodes of positive features. Bear is writing for a future distant enough to require a different people, culture, and dialect. This is part of Bear’s worldbuilding, and he’s intent on making his denizens and their world distinct from ours. In doing so the language is jargony, the syntax unwieldy. There are occasional sentences that are incomprehensible, regardless of how many times they are reread, and many of them require that rereading for comprehension. The mysteriousness, too, while having an artfulness, was often uncomfortable. In his grand designs I think Bear forgot to consider how a reader new to the environment would be approaching the story and just how much a lack of even basic information makes it difficult to relate to, visualize, and understand characters. Bear does get around to these revelations, but not necessarily in an order and a place that was pleasant or satisfying for the reader. Some of the bigger themes, too, were not as cogently linked as a book with this level ambition demands. Finally, it is ultimately a dark, somewhat disturbing story with some heinous events. I am uncomfortable with this sort of emotional experience as entertainment, and I do not think Bear’s ending fully justified its presence.
This is a book that is going to stay with me a long time. It was remarkably current. It could have been published this year rather than almost three decades ago. There is nothing here that requires a sequel, but I’m delighted to see that he wrote more books in this series. Right now, there are no books I’m looking forward to more than Heads, Moving Mars, and Slant. This volume has set some wonderful possibilities, and given what he did in Queen of Angels, I am ready to trust him again with a new story.