Gudrun Pausewang's 1987 novel Die Wolke (Fallout), about a large scale nuclear accident/disaster in what was then still West Germany and its devastating, far reaching consequences, was published only one year after the 1986 Chernobyl incident and is in my opinion a heavy-duty, gripping, generally painfully unpleasant (albeit also very much engaging and important) reading experience, suitable, acceptable for older teenagers above the age of fourteen or so (and thus, the same age as the main protagonist, Janna-Berta, who is indeed fourteen).
Now basically, Die Wolke is a doomsday (and dystopian) type of scenario of what happens (or more to the point, of what realistically speaking might occur) in Central Germany during an all encompassing nuclear accident scenario akin to what transpired at Chernobyl. After the nuclear reactor at Grafenrheinfeld malfunctions and releases massive clouds of radioactive gases etc., Janna-Berta's parents and youngest brother Kai are killed by nuclear fallout and her other brother Uli is then fatally run over by a car as the two try to escape by bicycle and make their way to Hamburg where their aunt lives, Hamburg being located in an area of Germany not directly affected by the radiation, by the nuclear fallout. But while Janna-Berta survives, due to her having been exposed to radioactive rain and mist whilst on the road, whilst attempting to flee, she does lose most of her hair due to radiation sickness (and although the authorities, although both the government and the military attempt to downplay the scope of the tragedy, it soon becomes public knowledge that well over 18000 people have been killed, with many more tens of thousands seriously and likely chronically ill due to radiation exposure).
The most academically interesting but at the same time also the most saddening and infuriating consequence of this nuclear chaos is that not only the authorities but also many members of the general population (German civilians) so desperately want to move on, want to as soon as possible forget what has happened that victims like Janna-Berta are ignored, actively avoided, told to cover up their bald heads and even at times actively blamed for the resulting miseries. But thankfully, and even though this is all very very painful for her, Janna-Berta refuses to simply comply and cower, to submit (and at the end of the novel, at the end of Die Wolke, Janna-Berta directly confronts her disbelieving grandfather, who had been on vacation in Spain with his wife and had thus avoided the tragedy, by removing her hat, showing off her radiation induced baldness and telling her grandparents clearly and succinctly, without even remotely attempting to shield them, the terrible fact that she is the only member of the family still alive, that the mother, the father, and the two brothers are all dead, have all been killed either during the nuclear disaster or immediately afterwards, and that what her grandfather had derided and snarkily condemned as a ridiculous disaster fairy tale not to be believed is indeed and in fact the whole and awful truth).
Now as a novel, Die Wolke is clearly a story that author Gudrun Pausewang has written with a very specific, obvious and clearly rather propagandist agenda and purpose in mind, namely to warn her readers about the potential dangers of nuclear power (to in fact make older children, teenagers, in other words her intended audience actively fear nuclear energy, to point out that nuclear reactors are far from safe and really nothing more than a dangerous accident, a disaster, chaos waiting to happen). And even though I myself have always been more than a bit leery of nuclear energy and worried about how inherently safe nuclear power plants are or even can be, I do indeed and still rather wish that the general storylines, that the contents and themes of Die Wolke might have been a bit more nuanced and less didactically in one's proverbial face (as the constant preachiness of the author, her attitude of no compromise do often feel like one is being talked down to, that one is being actively educated and that no criticism, that no counter arguments are in any way desired).
And considering that Gudrun Pausewang truly seems to desire to warn her readers of the dangers that nuclear power and nuclear reactors can pose, I actually think she is kind of defeating the purpose here so to speak by making her novel, by making Die Wolke so overly one sided, reactionary and alarmist (as her preachiness, as her tendency to without any type of nuance and compromise be so totally utterly against nuclear power in general has, in fact, made Die Wolke a much more controversial and not nearly as acceptable, believable and universally appreciated story than if the events portrayed had been rendered a bit less one sided and universally against all nuclear energy, period). Two and a half stars, rounded up to a very low three star ranking, as I have indeed much enjoyed reading Die Wolke (and also do appreciate and even tend to agree with many of the messages featured and presented), even if Gudrun Pausewang's oh so obvious didacticism and blatant propagandist writing style majorly leave rather a bit to be personally desired and in my opinion are even potentially kind of insulting to children, to teenagers, actually to anyone reading the novel (as most of us are in fact and indeed more than well aware that there are potential and problematic safety issues and risks with nuclear reactors, and especially with some of the older models).