What are poets looking at , looking for , when they walk into a room of pictures? Poets on Painters attempts to answer this question by bringing together, for the first time, essays by modern American and British poets about painting. The poets bring to their task a fresh eye and a freshened language, vivid with nuance and color and force.
McClatchy is an adjunct professor at Yale University and editor of the Yale Review. He also edits the "Voice of the Poet" series for Random House AudioBooks.
His book Hazmat (Alfred A. Knopf, 2002) was nominated for the 2003 Pulitzer Prize. He has written texts for musical settings, including eight opera libretti, for such composers as Elliot Goldenthal, Daron Hagen, Lowell Liebermann, Lorin Maazel, Tobias Picker, Ned Rorem, Bruce Saylor, and William Schuman. His honors include an Award in Literature from the American Academy of Arts and Letters (1991). He has also been one of the New York Public Literary Lions, and received the 2000 Connecticut Governor’s Arts Award.
In 1999, he was elected into the membership of The American Academy of Arts and Letters, and in January 2009 he was elected president. He is a Fellow of the American Academy of Arts and Sciences and has received fellowships from the Guggenheim Foundation (1987), the National Endowment for the Arts, and the Academy of American Poets (1991). He served as Chancellor of the Academy of American Poets from 1996 until 2003. (Wikipedia)
Jarrell's broad ban "Against Abstract Expressionism" & O'Hara's counterpoint/case study "Jackson Pollock" were the highlights (for me). Baudelaire on Delacroix is the unfair precedent by which these essays must be judged, however... Even so, there's ton's of smart goosh up in this compilay that'll probably facilitate more ink being spilled by both camps in the future.
I'll be teaching artists next year --has anyone used this book in the classroom? Are there any other texts you recommend for the plastic-arts minded stuck in a writing class?