Anne Braden's name hit the headlines in 1954 when she and her husband, Carl, both white journalists in Louisville, Kentucky, bought a suburban home on behalf of Andrew and Charlotte Wade, an African American couple who were unable to buy the house themselves because of systematic discrimination in the housing market. After weeks of harassment upon moving into their new house, the Wade's home was partially destroyed by dynamite. The bombers were never brought to justice, but the Bradens, along with five other white supporters, were brought up on charges of sedition against the state of Kentucky.
Adding to the tiny historiography of white women who have committed their lives to the struggle for racial justice in the South, Catherine Fosl's biography of Braden gives readers a complete and previously unavailable look into the life of this notorious activist (most of the other writing about her primarily covers her husband, Carl). Part one covers Braden's childhood and young adulthood in Alabama, her family history (her ancestors were some of the first white settlers of Kentucky, which was the home of indigenous farmers before European colonization), and her early journalism career. Part two starts with her move to Louisville and covers her political awakening, her marriage to Carl and her role in the pre-civil rights movement era. This section is particularly valuable for its illumination of life in McCarthy-era America, specifically for antiracist white southerners who were targeted as Communists for their racial justice work.
Part three focuses on Braden's involvement in the civil rights movement, chronicling her attendance at the Student Nonviolent Coordinating Committee's founding conference and continued work with the Southern Conference Educational Fund, detailing how she served as a role model for many young southern white civil rights activists. SNCC activist Joan Browning remembers, "Anne was one of the small group of [older] women who showed me that one could be a loyal Southerner and a respectable woman while fighting for social justice. The fact that Anne was Southern to the bone and had that wonderful slow Southern speech helped me redefine myself." Part four covers Braden's participation in various movements of the 1970s, for instance, her attendance at early feminist conferences and subsequent frustration at their whiteness. Though she continued to identify as a feminist, she focused most of her energy to work mostly in antiracist movements.
Unlike most biographical subjects, Braden is still alive; a great strength of the book is what Fosl refers to as techniques of "feminist biography": Subversive Southerner is grounded in oral history, which Braden's voice to emerge and challenge the story that is being told at different junctures. Particularly strong is the epilogue, where Fosl prints a dialogue between herself and Braden that seeks to clarify parts of the book that Braden disagreed with. The significant presence of Braden's voice adds even more richness to this biography.
The book's main flaw is its focus on the time period of 1950 to 1980. History tends to focus on events already recognized as "important," but a study of how one woman can sustain herself through a life of social activism is an under explored area of inquiry. Braden is still an activist today, and I, for one, would like to know how she's been able to keep it up for so many decades and sustain hope in the face of racism's persistence. Braden scratches the surface of this topic in the epilogue, when she says, "The meaning of our life and work was in the battles we fought. This is a very practical organizing question. People get immobilized because they've been told so often that nothing can really change." It's a point that begs for expansion.
This review was published in LiP Magazine December 2004.