#ThrowbackThursday - Back in the '90s, I used to write comic book reviews for the website of a now-defunct comic book retailer called Rockem Sockem Comics. From the December 1997 edition with a theme of "Offbeat Superheroes":
INTRODUCTION
Even though the field of comic books is dominated by superheroes, I have yet to write a column devoted entirely to the superfolk. Well, let's get down to it, bunky. Here are a few of the more interesting supertitles being published. Not the best, mind you, just interesting. For the best, pick up Kurt Busiek's ASTRO CITY (Homage/Image Comics)(Grade: A+). Meanwhile, here's the good, the bad and the ugly of comic book superheroes: STARMAN, THUNDERBOLTS, and HITMAN. STARMAN is highbrow; HITMAN is lowbrow; and THUNDERBOLTS would be right in the middle if not for its sinister twist.
KILLER LAUGHS
HITMAN #1-20 (DC Comics)
"Okay," Tommy Monaghan begins. "Now, we got Green Lantern backin' us up -- an' that sounds so freakin' hysterical I'm just gonna say it again, 'We got Green Lantern backin' us up' . . . An' that's fine for special effects, but I ain't puttin' my life in the hands of some Keanu-lookin' goof with a magic ring. What I want is you -- with this [gun] -- at that window -- ready to whack anyone takes a shot at me. You cool with that?" (Hitman#12, page 3).
Tommy "Hitman" Monaghan is a superhero in only the loosest sense of the word. He does have super powers and a rigid code of morals that keep him from hurting people he thinks are good. He teams up with other superheroes, such as Batman and Green Lantern, but they generally end up despising him and his methods. Monaghan kills people, you see. Before getting his powers, he was an assassin. Since getting super powers, well, he is still an assassin. Only now Monaghan specializes in assassinating other people with super powers -- but only bad people. Monaghan doesn't fight bad guys so much as he fights guys worse than he is himself. Monaghan is the epitome of the modern day superantihero.
Monaghan received his powers when he survived a bite from, um, a space vampire during an unsuccessful hit. Now Monaghan possesses telepathy and x-ray vision. Not being extremely imaginative, Monaghan has decided to stick with his original occupation, hoping only to score higher fees so he can one day move to Manhattan from Gotham City. Between hits he hangs out with his fellow hitmen in a neighborhood bar. The only thing worse than Monaghan's luck at gambling is his luck at picking contracts: they usually blow-up in his face, sometimes literally.
In "A Rage in Arkham" (HITMAN #1-3) Monaghan agrees to break into Arkham and snuff the Joker right inside his cell. Little does Monaghan realize (and who would?) that this is a set-up arranged by demons from hell called the Arkannone, the Lords of the Gun, who seek a replacement for their demonic assassin Mawzir. To really complicate matters, Batman shows up, and he's ticked off to find himself in the position of defending the Joker's life.
In "Ten Thousand Bullets" (HITMAN #4-7) Monaghan agrees to hunt down and snuff a dirty superhero named Nightfist. Little does Monaghan realize (and you'd think he would be suspicious by now) that this is a set-up arranged by Moe Dubelz, the surviving half of a Siamese twin that Monaghan killed. To really complicate matters, Dubelz hires hitman-supreme Johnny Navarone to snuff Monaghan.
In "Local Heroes" (HITMAN #9-12) Monaghan does not agree to become the sanctioned terminator for a covert government agency charged with monitoring and controlling superheroes. Little does Monaghan realize (What a moron!) that he's going to be set-up by the disgruntled agents to keep him quiet. To further complicate matters, Green Lantern is the patsy the agents dupe into bringing Monaghan down.
In "Zombie Night at the Gotham Aquarium" (HITMAN #13-14) Monaghan and his buddies shoot a bunch of zombie penguins, seals, sharks, dolphins, and an octopus. Little does Monaghan realize (why ruin a streak?) that the fella who hired him is paying less than the corporation that hired his friend. It's not too complicated really.
In "Ace of Killers" (HITMAN #15-20) Mawzir and the Arkannone return looking for revenge, cornering and trapping Monaghan, his friends, Jason Blood and Catwoman in a church. Monaghan realizes (Finally! A realization!!) their only hope of getting out of this set-up is a shaky deal with the treacherous demon, Etrigan, to obtain the demon-killing rifle known as the Ace of Winchesters. To further complicate matters, Monaghan finds himself falling in love.
The repetitious simplicity -- simple-mindedness, even -- of the plots might make one wonder how this book could succeed.
What makes HITMAN special are the creators, of course. Writer Garth Ennis and illustrator John McCrea have pulled out the stops to make HITMAN a black comedy thrill ride. To build momentum, they had Monaghan appear for a short time in their previous collaboration, THE DEMON (DC Comics). When THE DEMON wrapped up, HITMAN was ready to rumble. Ennis is infamous for his ultra-violent tales of hitmen in such series as PREACHER (Vertigo/DC Comics, grade: A+), SHADOWMAN (Acclaim Comics, grade: C+), THE DARKNESS (Top Cow/Image Comics), and UNKNOWN SOLDIER (Vertigo/DC Comics). He mixes drama, humor and violence into a volatile chili that burns the roof of your skull. The inevitable comparison: Ennis is the Quentin Tarantino of comic books. McCrea, meanwhile, has a distinctive, outrageous style that suits Ennis' scripts perfectly. With HITMAN, Ennis and McCrea have achieved a level of violence so excessive it is almost cartoonish -- if you can overlook the gore and viscera splashed across every page that is.. That this bloodfest is set smack dab in the DC Universe is the ultimate twist.
The humor in HITMAN deserves special attention. Ennis loves to throw in sick visual gags: a Siamese twin lugging around his dead twin's decaying body, a dead cat thrown on a spotlight to create a "Cat-Signal" for Catwoman, a man bashing zombie baby seals with a bat. Ennis is not afraid to tweak the other heroes in the DC Universe. One issue has bar patrons signing a petition to have Superman cut his long hair. Monaghan pukes on Batman's boots and publicly humiliates Green Lantern. Finally, Ennis loads the books up with rowdy 'n' randy guy talk, focusing frequently on Monaghan and his friends hanging out over poker or pool. These scenes allow Ennis to segue into touching, guy-bonding comedy, such as the buddies talking about coping with death during the "Final Night" crisis in issue #8.
Introduced in DEMON ANNUAL #2, Monaghan is the only successful new character to come from DC Comics' big "Bloodlines" crossover event of 1993. The theory was that DC would introduce a dozen or two new superheroes -- the New Blood -- in their comics' annuals and all would become instant sensations making DC the number one publisher again. (That might be the ultra-optimistic theory, actually.) What they got was HITMAN -- a single on-going title featuring a single member of the New Blood. Considering how unsuccessful most crossover event spinoffs are, I suppose DC is probably quite happy with the results.
I know I am.
Grade: B+