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Dara Birnbaum: Technology/Transformation: Wonder Woman

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A critical examination of Dara Birnbaum's action-packed and riveting video of Wonder Woman's transformations. Opening with a prolonged salvo of fiery explosions accompanied by the warning cry of a siren, Dara Birnbaum's video Technology/ Wonder Woman (1978–79) is a concise, action-packed, and visually riveting video. During its seven-minute span we see, again and again, the transformation of the drab secretary Diana Prince into the super-heroic Wonder Woman. By isolating and repeating the moment of transformation—spinning figure, arms outstretched—Birnbaum unmasks the technology at the heart of the metamorphosis. In this illustrated examination of Birnbaum's video, T. J. Demos situates it in its historical context—among other developments in postmodernist appropriation, media analysis, and feminist politics—and explores the artist's pioneering attempts to open up the transformative abilities of video as a medium. Demos examines Birnbaum's influence on such artists as Douglas Gordon, Pierre Huyghe, Philippe Parreno, and Candice Breitz, and the turn toward “postproduction procedures”—the mobilization of existing imagery for innovative uses. He also reveals a fascinating historical shift in the reception of Birnbaum's a move from an emphasis on her deconstruction of mass culture ideology to an appreciation of her creative use of consumer imagery.

118 pages, Paperback

First published September 30, 2010

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About the author

T.J. Demos

41 books30 followers
T. J. Demos is an award-winning writer on contemporary art, global politics, and ecology. He is Professor in the Department of the History of Art and Visual Culture, at University of California, Santa Cruz, and Founder and Director of its Center for Creative Ecologies. He writes widely on the intersection of contemporary art, global politics, and ecology, and his essays have appeared in magazines, journals, and catalogues worldwide. His published work centers broadly on the conjunction of art and politics, examining the ability of artistic practice to invent innovative and experimental strategies that challenge dominant social, political, and economic conventions.

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