Discover the lineage of the galaxy's ultimate warrior, the Metabaron, a character created by the legendary artist Moebius and film director Alejandro Jodorowsky (EL TOPO, SANTA SANGRE). A series fully painted by the masterful Juan Gimenez.
The final volume by Jodorowsky and Gimenez in the epic sci-fi fantasy Metabarons saga. The ultimate bloodline of the Metabarons may come to an end with Aghora and her child. This volume concludes the Metabarons graphic novel series collection.
Better known for his surreal films El Topo and The Holy Mountain filmed in the early 1970s, Alejandro Jodorowsky is also an accomplished writer of graphic novels and a psychotherapist. He developed Psychomagic, a combination of psychotherapy and shamanic magic. His fans have included John Lennon and Marilyn Manson.
I really like Aghora’s story and its relatively softer change of tone in the first half, especially after Steelhead’s harsh story, plus there’s another wildly imagined conception and birth scene for No-Name. No-Name’s story in the back half has some great parts too, like the surprising wrap-up of the robot’s frame story, but overall it’s too much unearned telling and not enough organic showing. I was also disappointed at a few pages of retrograde racist imagery of “savage natives” on a planet that serves no real purpose besides being incidentally eradicated during a planet-hopping pursuit.
Jimenez’s art remains strongly imaginative till the end though, and overall I’m pleased with the conclusion of this often ridiculous but usually entertaining prequel series.
A rather zany space opera, that seems to have influenced some of Grant Morrison's work which is why I was drawn to it originally.
Originally it was crafted from the unused preproduction for the Dune movie adaptation. Jodorowsky spent far too much time and money on this phase and thus got the movie cancelled and the right taken off him and given to Lynch. Various other influences that were common for the time, Samurai era stuff and Greek tragedy, at times feels slightly cack-handed. It fits with the cheesy 80s French Heavy Metal style though, so it's almost a given that this kinda stuff will crop up.
The real strength of this series lies in the artwork by Mobius and Gimenez. Having never heard of Gimenez previously, I was excited to finally be reading some Mobius (oh great influencer of all that is sci-fi). I found to my surprise that it was mostly illustrated by Gimenez, and beautifully at that. There are times when you have to snap yourself out of admiring the panels of epic space wars, as they are just so painstakingly put together you won't want to.
the secret to jodorowsky having "so many ideas" boils down to: 1. a liberal definition of what constitutes an "idea" and 2. basically no quality control.
is "giant multidimensional space lice" an idea? close enough! does it make any kind of sense, have some sort of internal logic or add anything to the story? maybe!
Welp, its over. This is easily the most insane space opera story I've ever read. I had a lot of issues with the characters and the story. But like I mentioned before the art is what really holds this book together. I sort of wish there was more to the series. I still had some questions on this world but I'm content with what I read. Science fiction fans should check this out.
The fourth and last (of the first four or eight – depending the edition – because there are more) of the metabarons is a supreme psychedelic story where the scenario thickens the characters are so complex and the scientific conceptions are so obscure that the reader is left speechless of the many plot twists and the outcome of the book. Once more Alejandro Jodorowsky exceeds expectations and creates not only a great story but sets the foundations of the philosophy of the next millennium! The art remains in the high standards that the three past books had achieved. A great read overall.
Umas das poucas histórias "épicas" que eu li e não se tornou um lixo com frases de efeito maçantes em algum ponto, personagens bem desenvolvidos, diálogos incríveis e uma arte bonita que colabora com a narrativa.