This is the ninth adventure of Venice Police Commissioner Guido Brunetti. Guido is one small man with a badge who is continually pitted against the big wheel of Italian corruption - which he inadvertently stumbles into book after book while doing his job - which is usually solving murder cases. These books are pseudo-police procedurals/mysteries. I use the term “pseudo” because the culprits are either known from the very beginning of the story or tossed in at the very end. The series is also very formulaic – including Brunetti’s supporting cast.
For instance Guido has a very politically conscious boss who’s more concerned with not ruffling feathers as opposed to solving crimes - so our hero is usually involved in some type of tap-dance trying to get around him. Said boss has a beautiful, yet very competent secretary, whom Brunetti uses when he needs information – any information. She, with her computer skills and connections, can find any elusive fact Brunetti needs.
On the home front Brunetti has two fairly stereotypical adolescent children – a boy and a girl of course. And Mrs. Brunetti is a professional in her own right, although we usually meet her while she’s in the midst of house-wife chores, (cooking, shopping, etc). She is the member of one of Venice’s oldest families which causes some friction – she married a cop after all - except when Guido needs to pump his father-in law for insider information – which happens in every book.
The series’ setting is Venice and its environs - so toss in some local color - coffee bars, markets, restaurants and Italian words for food and drink - and of course a condescending attitude towards tourists – usually Americans. The books also contain a little morality lesson, i.e. not all men and women of the cloth are good, don’t judge a book by its cover – specifically people of “alternative” life-styles. Conveniently and usually in Brunetti’s world, justice does prevail in the end, although not always as the law proscribes – but it’s the best our Guido can do.
Friends in High Places follows this format when Guido is tasked to solve the murder of a building inspector; the investigation quickly taking him into the environs of Venice’s illegal “money-lending” and drug trade. His suspects have “Friends in High Places” making Brunetti’s investigation more difficult – and predictable. In this book we learn that people of means and who are connected aren’t treated the same way as commoners are in Venice’s justice system, i.e. money does talk and whom you know does matter.
To the author’s credit this series has an extraordinarily loyal international following, although ironically, I read recently that, at the author’s request, her books are not translated into Italian, (I believe Leon is an American living in Italy). This series was repeatedly recommended to me – by several of those very loyal Guido Brunetti fans - because I enjoy Michael Dibdin’s Aurelio Zen series. Besides the obvious fact that both of the authors’ books are set in Italy, I don’t see much else that is similar. Dibdin’s books are much more subtle, nuanced and complex – and at times, humorous. Besides very rarely tickling my funny-bone, I find the Guido Brunetti books light and quick reads – enjoyable but nothing extraordinary - or even very original.
Personal preference I know, which puts me in the vast minority. I don’t dislike the Brunetti series, I just don’t find it a particularly memorable one.