The Genius of Japanese Carpentry: The Secrets of a Craft

by Azby Brown

0ver a thousand years ago in Nara, Japan, anonymous carpenters erected a number of temples and pagodas for a newly founded Buddhist monastery known as Yakushiji. Not only is one of those pagodas still standing today, but also surviving are the dedication to quality and the technical skill of
its builders as seen in the work of modern-day craftsmen. The Genius of Japanese Carpentry focuses on such practicing carpenters, who combine in their work the timeless past and the living present.

What precisely is a Buddhist temple, what a temple carpenter, and what relationship do they have to Japanese woodworkers and carpenters in general? S. Azby Brown raises and answers these questions before taking up the subject that lies at the heart of the book: the construction of the Picture Hall,
one of the temples lying within a sub-compound of the Yakushiji monastery. Founded in the eighth century and subject over time to the depredations of fire and warfare, the Yakushiji is now in the midst of a complete renovation that will, by the year 2030, restore its original appearance. As one part
of this project, the construction of the Picture Hall has now been completed, employing the methods, the architectural style, and to a large extent the technology of its Japanese historical predecessors.

From the day work commenced on the Picture Hall to the day it was finished, the author was at the site, camera in hand, recording its step-by-step erection: the selection of wood, the fabrication of parts, the detailing, the joint-making, the laying of the foundations, the pillars and beams going
into place, installment of rafters and struts, the laying of the roof and roof-tiles, and, finally, the holding of the festive ridge-beam ceremony. In addition to documentary photographs, the book is remarkable for the author's drawings, based on the plans of the master carpenter himself. The
combination of photos and drawings so clarifies the process of erection that the ambitious reader might imagine, for one heady moment, that he or she might undertake the building of just such a temple if only provided with the proper tools. While far from the truth, this illusion is eloquent
testimony to the lucidity of the author's presentation. While it is thus the construction process itself that forms the center of the book, another important element, the human element, is never slighted. The carpenters themselves are continuously present, patiently going about their work,
concentrating on the job at hand. It is perhaps from their example, as much as from the description of the stages of construction, that the modern reader will derive inspiration, discovering a common bond of sympathy that bridges both time and cultural boundaries.

Genres: Woodwork, Nonfiction, Japan

140 pages, Paperback

First published September 15, 1995

Reviews

[Kamal · Rating 3 out of 5]

This book does much to capture the technical practice and precision of Japanese architecture and woodworking. The photos and technical drawings included in the book shed much light on the fabulous world of temple restoration in Japan and, to a lesser extent, China. The author's status as outsider is a hindrance to much of the work, however. Rarely does he allow workers to speak with their own words and too much weight--in my opinion--is given to the words of the master, who speaks in platitudes and axioms. As such, the book is traditional and conservative in its examination of the phases of a temple restoration in Japan in the late 1970s. It gives you a real sense of how ridged and structured Japanese culture is. The author is polite about describing the abusive boss who frequently vituperates his workers. While the end result is beautiful, I can't imagine how demoralizing it is to work in that sort of environment.

[Whitney · Rating 3 out of 5]

An interesting introduction but I had been hoping for more specifics. Very focused on the single temple the author got to observe during reconstruction.

[WendyMcP · Rating 4 out of 5]

Beautiful blending of philosophy, art and technique. The zen of woodworking (or shall I say shinto?).