It seems I reread this book every 10 years or so. I first read it in 2006, then I reread it in 2014, and now again this year. And each time my grade has been 4*/B+. Solid, super enjoyable, but Kearsley's got much better since she wrote it. I still agree with 99% of my original review, copied below. The only thing I'd say was different this time was that the very subtle romance didn't really work for me. It needed a bit more interaction between the two characters. Still, it was such a minor part of the book, that this really didn't matter much.
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Original review:
I started TSF two weeks ago and drew it out as long as I could, because reading it was such a pleasurable experience. This isn't a book to read for 15 minutes between tasks, or while waiting for the bus; it's one to read in a comfy chair, feet up and a glass of good wine at your elbow. It's not really a page-turner, so I could pace myself without much trouble. A B+.
When Emily Braden's cousin Harry badgers her into accepting to come with him to the medieval town of Chinon for a holiday, she just knows it's not going to work out as planned. Harry has a history of not being where he promises he'll be, and so Emily's not surprised when she arrives and he's nowhere to be seen.
She's not too worried, either. Plantagenet-mad historian Harry's very interested in investigating the tunnels under and around the Château Chinon, in which he suspects Isabelle, John Lackland's young bride might have hidden a treasure before she escaped from the château under siege, so Emily knows he'll turn up sooner or later. She'll simply settle in at the hotel (fortunately, Harry did make the promised reservations!) and explore a bit on her own.
And she does have a lot of fun, at first. Chinon is beautiful, and she's soon settled in with the people at the hotel and even some Chinon residents. But as the days go by and Harry doesn't show up, Emily begins to get worried. And she begins to get the feeling that some of her newfound acquaintances are hiding something.
I think it's fair to say that if you've enjoyed other Kearsley books, you'll probably enjoy this one. It's got that mix of fascinating history with more contemporary drama, all set before a wonderful backdrop.
One of the best elements of TSF is its atmosphere. Chinon is a character in its own right, and provides an excellent setting. This is a constant in all this author's books: she finds unique settings (an archeological excavation in Scotland, searching for a lost Roman legion in The Shadowy Horses, a beautiful villa in Northern Italy in Season of Storms, a house built next to a ruined tower in Wales in Named of the Dragon...), and makes them come alive. She did the same with Chinon. She writes in the dedication that she actually spent some time there, and this shows in the level of detail.
But it's not just a matter of knowing exactly where each stone is set, it takes a special ability to be able to make the reader see what she's seeing, touch what she's touching and even smell what she's smelling, and it's an ability Kearsley has got, in spades. After I was done with the book, there was nothing I wanted more than to go there, stay at the Hôtel de France, as Emily did (unfortunately, the Hôtel de France, where they stay, which pops up on a search these days is now a Best Western! That kind of ruins the mood, I'm afraid), and be served drinks at the bar by Thierry. I wanted to sit under the statue of Rabelais and watch the river, and I wanted to explore the castle and go visit the Cave des Cloches and try their wine. That was one of the main reasons I didn't want the book to end: I didn't want to leave Chinon.
Something else that was interesting about TSF's atmosphere was its timeless feel. It reminded me more of Mary Stewart than of Barbara Michaels, as some of Kearsley's other books did. Even though it was published in 1995, the setting could easily have been moved to the 1960s without having to change many details. Yes, it needed to be set a certain number of years after WWII, but other than that, any changes made would have been minor.
I really enjoyed the plot. I loved the way the investigation into Harry's whereabouts intersected with the mystery of Isabelle de Angoulême's hidden treasure and the hidden treasure of yet another Isabelle, a young Frenchwoman who fell in love with a German soldier during WWII. Both were fascinating, and I appreciated the way the solutions mirrored each other.
The characters populating this book were just as interesting as the mystery. Well, other than Emily, that is. I never found her to be a particularly compelling narrator (which would be the only negative in the book), but the people around her were more than colourful enough. I liked that though they were colourful and had their faults, they were all of them basically good people. I've read a couple of books lately in which the characters were interesting but so nasty that I reached the last page feeling depressed about humanity. Not so here. Even the villain had a humanity to him/her, and you could almost understand what had led him/her to those actions.
I did end the book a little bit depressed though, but that was because a character I was half in love with is murdered. I don't count it as a negative, because I see it really was necessary to the story, to increase the stakes. Plus, it inspired one of the most touching moments in the book, which was Emily's posthumous tribute to him. So well, the ending was a bit bittersweet. There is a nice (if subtle) romance, which made me happy, but my smile at the end of the book was probably a little sad.
To close this review, a little note, probably of interest only to me: Emily's father is a diplomat, and he's living in Uruguay, of all places, working at the British Legation in Montevideo! It was such a jolt to see this; as you can imagine, it's not particularly common for my tiny country to be mentioned in anything other than football histories (we won the 1930 and 1950 World Cups) or international trade texts (because of the GATT's Uruguay Round, which gave birth to the WTO). Anyway, Mr. Braden plays a not unimportant role in the book... he and Emily actually talk on the phone a few times, and he uses some of the influence he still has to aid her investigations. I found it very funny that every time Emily phones Uruguay, it's a huge deal... they don't talk much because if she were to phone Uruguay very often she'd go bankrupt, the lines are so bad it's like talking to someone on the moon, and so on. A funny little detail for me.