In A Vision of Light we are introduced to the ‘eccentric’ Margaret, and overhear a conversation she has with God, who tells her she needs to write her life story. Funny thing is she’s only about twenty (so how can she have much to say?), she can’t read or write, and she’s an English woman in the 14th century when it’s indecent for women to write much of anything. Fortunately she’s married to a wealthy mercer who indulges her, and she hires the intractable Brother Gregory to copy down her story.
And what a story it is. It begins when she’s quite young, and at the age of fifteen married off to a rich, no-good fur merchant who mistreats her. When the plague spreads through England she’s abandoned as her husband tries to escape it. Near death, she witnesses a ‘vision of light’ and is given a gift that not only makes her glow when she thinks about God, but also the ability to heal others. She is taken in by the midwife Mother Hilde, from whom Margaret learns the trade, and we follow their adventures around the countryside and London. But those who learn (particularly the clergy) of Margaret's ability to heal are jealous and try her for heresy.
The best thing about the books in this series is the setting. Riley pulls the reader into the time and place, talking about everyday things with ease and subtly, from household details to prejudices to cultural notions. For example, in the second book we understand that Brokesford Manor is broken down and unkempt, but we also actually believe that people live there; it’s not simply a place to put characters as they go about enacting the plot (you could almost say it’s a character in the story, too). London and the surrounding areas also take on a flavor I haven’t gotten from other historical fiction; Riley describes the people and the place with such clarity and quirkiness that it actually feels like it’s all real.
A very close second to the setting is the characterization. Margaret and Gilbert are two of my favorite fictional characters because of their qualities and foibles. They grow and change as we move through the series, watching their trials, in particulary dealing with Gilbert’s family. What’s great about Riley is that her secondary characters receive special treatment, and while they aren’t as deep as the two main characters, we still get plenty of detail about them and their idiosyncrasies.
As readers we hear a great deal about alchemy and religion in these books. Brother Malachi is an alchemist in search of the Philosopher’s Stone (aka Green Lion, hence the name of the second book), which is used to transmute base metals into gold. There are many times when his skills as an alchemist and charlatan come in handy, and even save the day.
Among the characters is a wide-range of religious beliefs, from Brother Gregory/Gilbert’s desire to see God, Margaret’s almost saintly holiness (i.e., the vision of light), Gilbert’s brother’s fickle beliefs according to his needs at any given time, to Malachi’s downright atheism. The believers aren’t all sappy over-zealous types, and neither are the atheists strident. This, however, doesn’t mean that the characters don’t take jabs at each other regarding their faithful persuasions, but Riley obviously doesn’t have an agenda regarding religion (the Catholic Church isn’t exactly exemplary in the story, but that’s rather the author being true to the times, and not necessarily derogatory).
But simply because God appears and many of the characters are faithful, doesn’t mean that strange and mysterious things can’t happen. There are ghosts, demons, psychotic nobility, poisoned rings, loaded dice, and a cross that Margaret wears around her neck which burns the hands of unbelievers. These things in and of themselves seem ridiculous, but Riley weaves these quirks into the story, which only makes the plot more interesting.
I gush, I know, but I also realize that there are flaws to the books. Sometimes the plot seems to meander, and we are introduced to things in not-as-subtle ways that obviously will be important to the story later on. The point-of-view switches from first person to third person omniscient repeatedly, and it takes a little getting used to. But these flaws are easy for me to pass as I enjoy the prose, the quirks of Margaret’s nature, the zany people we meet, and Riley’s cunning observations about life and love.