Bringing together an important body of work produced between 1970 and the present, this publication analyses historical and current issues of feminism by proposing crossed perspectives on the field of art history and its oft-interrogated construction. Feminist manifestations are examined in light of practices that persist in their resistance and that compel us to re-examine social norms through activism, citizen mobilization, and sharing communities. Striving to bring new insights to our attention, these contributions take up theoretical feminist models, but also reference cultural, decolonization, and queer studies.