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A Quicksilver Cassandra

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A Quicksilver Cassandra (in Ghost Story Collection 002 )

It was altogether queer, and Jingleberry to this day does not entirely
understand it. He had examined his heart as carefully as he knew how,
and had arrived at the entirely reasonable conclusion that he was in
love. He had every symptom of that malady. When Miss Marian Chapman was
within range of his vision there was room for no one else there. He
suffered from that peculiar optical condition which enabled him to see
but one thing at a time when she was present, and she was that one
thing, which was probably the reason why in his mind's eye she was the
only woman in the world, for Marian was ever present before
Jingleberry's mental optic. He had also examined as thoroughly as he
could in hypothesis the heart of this "only woman," and he had--or
thought he had, which amounts to the same thing--reason to believe that
she reciprocated his affection. She certainly seemed glad always when
he was about; she called him by his first name, and sometimes
quarrelled with him as she quarrelled with no one else, and if that
wasn't a sign of love in woman, then Jingleberry had studied the sex
all his years--and they were thirty-two--for nothing. In short, Marian
behaved so like a sister to him that Jingleberry, knowing how dreams
and women go by contraries, was absolutely sure that a sister was just
the reverse from that relationship which in her heart of hearts she was
willing to assume towards him, and he was happy in consequence.
Believing this, it was not at all strange that he should make up his
mind to propose marriage to her, though, like many other men, he was
somewhat chicken-hearted in coming to the point. Four times had he
called upon Marian for the sole purpose of asking her to become his
wife, and four times had he led up to the po

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Published January 1, 2019

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About the author

John Kendrick Bangs

493 books41 followers
John Kendrick Bangs was an American author and satirist, and the creator of modern Bangsian fantasy, the school of fantasy writing that sets the plot wholly or partially in the afterlife.

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