My little secret about Henryk Adam Aleksander Pius Sienkiewicz, (5 May 1846 – 15 November 1916) epic novel, The Teutonic Knights is that it is my fourth novel by this author and it is fourth place in my order of preference. Further I am unsure as to who is the right audience for this now 120 plus year old novel. To the degree that anyone has heard of him, most know him from the movie, if not the novel, Quo Vadis. This is a bible based epic novel and yielded several block buster movies including one staring Debra Kerr and Robert Taylor.
The main plot, and there are at least three major sub plots , revolves around an ongoing struggle with the German religious order of The Teutonic Nights, AKA Order of the Cross. This was a religious order, fully armed and self-charged with the goal of Christianizing Eastern Europe. By the beginning of the book, Eastern Europe had pretty much Christianized itself and had little reason to acknowledge nor support this German conversion by force of arms. Not directly spoken of by Sienkiewicz. The Order had a habit of starving out, or displacing the local population and replacing them with Germans. The author has little positive to say about the spiritual values of this invading army and with some key exception he makes it clear that those his many Polish major characters will fight lack virtually every Christian value and were creatures of lust, avarice and while well enough versed in the complex rules of Knighthood, they follow them more as a public face than as a real commitment.
In terms of a modern audience, this is an extremely slow-moving book. For a readership used to half hour television and a five-hour mini series being a major time commitment, this 750 page door stop will be intolerable. It is overwhelming male dominated. And yet, war and peace is something a Princess can heavily influence. A major female character holds her own as a huntress, estate manager and thoughtful advisor during of councils of war. We can almost see the author winking when the usually most clever of the male characters comments that one does not usually so much wisdom from a woman.
All of the Sienkiewicz novel I have read have been in the form of epics, meaning large in scale and in page count. In Teutonic Knights I most felt the drag of the pacing. What I came to understand, was that the story is told in the language approximating that of the time (1400) in which the story is based. Certain formulas applied when speaking of subjects religious, the presence of pre–Christian Forest spirits and devils, and the demands of honor, especially as associated with a “belted” knight. Further one cannot understand how slowly time passes when traversing marsh land or frozen forests if there is not a similar time investment in the page count. Christianity is assumed. The POV is on the knightly class and the propertied. Humans are routinely given or taken as a matter of prizes, there being only slight distinction between peasant feudal status and being a slave. If it is antisemitic, it is equally anti Muslim and hardly pro pagan
As is the case in most any book like this one, one has to have some idea of the outcome, so the author gives us a number of plot points to be resolved along the way. We may think we know who will marry who among the two main characters, but there is a marriage and a kidnapping that means no reader can be that certain.
For the symbolists, we have characters representing the old with its old grudges, the new, not yet matured character of Poland. Given Sienkiewicz’s commitment to a philosophy, Polish Positivism, he has a message that Poland, entirely free of Russian influence needs to be better educated and experienced in the problems of self-governing.
In short there is nothing short about The Teutonic Knights. Because of all its fighting, nationalism, lack of feminism more than a little off handed disparagement of Jews, Muslims anyone not of the knightly, or propertied class a lot of readers should skip this one. It is an adventurer novel well above the more typical swash buckling novel, and a relatively reliable peak into a history not readily covered general European histories. Not my favorite, but one I am glad to have read.