Masters & Masterpieces of Iranian Cinema

by Hamid Dabashi

The rise of Iranian cinema to world prominence over the last few decades is one of the most fascinating cultural stories of our time. There is scarcely an international film festival anywhere that does not honor the aesthetic and political explorations of Iranian artists. Three generations of filmmakers--from Bahram Beiza'i to Mohsen Makhmalbaf to his daughter Samira Makhmalbaf--are all active today, creating works of spectacular range and depth. In Europe and in North America, in Asia and in Latin America, in Australia and Africa, the thematic and narrative richness of Iranian cinema has met with tremendous acclaim. Indeed, its particular mode of realism--building on such cinematic antecedents as Italian, French and German neo-realism--has become truly trans-national, contributing a new visual vocabulary to filmmaking everywhere. Masters and Masterpieces of Iranian Cinema is narrated by around fifteen of the best Iranian filmmakers of the past half-century and takes a close look at both their lives and their greatest works. In his vivid account, Hamid Dabashi explains how -- despite the censorship of both the Pahlavi monarchy and the Khomeini Islamic Republic -- the creativity of these filmmakers has transcended national and cultural borders. The author explores the rise and ascendancy of Iranian cinema in the more general context of modern Iranian intellectual history. He delves into the roots of Iranian cinema in Persian poetry and fiction and examines ways in which a rich cinematic tradition has been nourished. The book also studies the role that prominent film festivals have played in fostering the global success of Iranian cinema and it investigates the reception of these films within Iran, an intriguing story in its own right.

Genres: Iran, Film

Hardcover

First published May 19, 2014

About the author

Born on 15 June 1951 into a working class family in the south-western city of Ahvaz in the Khuzestan province of Iran, Hamid Dabashi received his early education in his hometown and his college education in Tehran, before he moved to the United States, where he received a dual Ph.D. in Sociology of Culture and Islamic Studies from the University of Pennsylvania in 1984, followed by a postdoctoral fellowship at Harvard University.

He wrote his doctoral dissertation on Max Weber’s theory of charismatic authority with Philip Rieff (1922-2006), the most distinguished Freudian cultural critic of his time.

Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University in New York, the oldest and most prestigious Chair in his field. He has taught and delivered lectures in many North and Latin American, European, Arab, and Iranian universities. He is a founding member of the Institute for Comparative Literature and Society, as well as a founding member of the Center for Palestine Studies at Columbia University.

He has written 20 books, edited 4, and contributed chapters to many more. He is also the author of over 100 essays, articles and book reviews in major scholarly and peer reviewed journals on subjects ranging from Iranian Studies, medieval and modern Islam, comparative literature, world cinema, and the philosophy of art (trans-aesthetics). A selected sample of his writing is co-edited by Andrew Davison and Himadeep Muppidi, The World is my Home: A Hamid Dabashi Reader (Transaction 2010).
Hamid Dabashi is the Series Editor of Literatures and Cultures of the Islamic World for Palgrave Macmillan. This series is putting forward a critical body of first rate scholarship on the literary and cultural production of the Islamic world from the vantage point of contemporary theoretical and hermeneutic perspectives, effectively bringing the study of Islamic literatures and cultures to the wider attention of scholars and students of world literatures and cultures without the prejudices and drawbacks of outmoded perspectives.
An internationally renowned cultural critic and award-winning author, his books and articles have been translated into numerous languages, including Japanese, German, French, Spanish, Italian, Russian, Hebrew, Danish, Arabic, Korean, Persian, Portuguese, Polish, Turkish, Urdu and Catalan.

In the context of his commitment to advancing trans-national art and independent world cinema, Hamid Dabashi is the founder of Dreams of a Nation, a Palestinian Film Project, dedicated to preserving and safeguarding Palestinian Cinema. He is also chiefly responsible for opening up the study of Persian literature and Iranian culture at Columbia University to students of comparative literature and society, breaking away from the confinements of European Orientalism and American Area Studies.

A committed teacher in the past three decades, Hamid Dabashi is also a public speaker around the globe, a current affairs essayist, and a staunch anti-war activist. He has two grown-up children, Kaveh and Pardis, who are both Columbia University graduates, and he lives in New York with his wife and colleague, the Iranian-Swedish feminist, Golbarg Bashi, their daughter Chelgis and their son Golchin.

Reviews

[Corey Preston · Rating 3 out of 5]

Really fascinating perspective, more with re: to Iran's modern culture than to the limited scope of its cinema.