In 1914, my grampa was born in a shotgun tenement apartment adjacent to an alley in the Polish-Russian ghetto of Chicago. They didn't run the coal furnace at night. To keep the lead pipes from freezing, he remembers a splinter of lumber in the kitchen sink, balanced from the drain to the tip of the faucet, letting the water drizzle all night. He tells the story of a February morning his mom called him and his sister out of bed. The mattress they shared was made of straw and ticking. They threw off the layers of covers and bolted downstairs. He forgot something at the top of the stairs and returned to the room. There like a ghost in the crepuscular light was a cauliflower-plume of steam rising off the mattress. Another early morning story has my 8 year old grandfather in the basement flaming the water pipes with some kind of torch apparatus; he never described what it was, instead--with his knobby, weathered ninety year old hands--he gestured the movements along the ceiling, recalling as if holding a small torch with a fire at one end.
My grampa has hundreds of snippets of his youth. None of them about his alcoholic father, though, who lived into the 50's. Nothing will extract a word about his father. Zooming across memories of the Crash of '29 and deep into the Depression, my gramps worked in the Civil Conservation Corps (CCCs), hoboed on Burlington Northern, and played baseball on farm teams from Pennsylvania to Texas, South Dakota to Tennessee. He was crushed when the Army turned down his service application because he was deaf in one ear from pneumonia (just like George Bailey in Capra's It's a Wonderful Life). The Army was to be his ticket to warm clothes and three 'squares' a day. Nevertheless, from a farm team in Milwaukee he was pulled up to join the Washington Senators because he was, for a second season, batting over .400. This gets me to the photograph that makes my review relevant to Delete: The Virtue of Forgetting in the Digital Age.
There's a black-and-white photo in our family--the original having long disappeared--that I absolutely treasure. It's mounted on my wall with my grampa's signature underneath, George "Bingo" Binks. The ink displays the wobble in his hand in the 1990s. The picture is him leaning out of a dugout with blurry, empty stadium bleachers in back rising out the top of the photo. His clean white wool jersey, a big smile portraying his first season in the National League. He's so young. The photo is perfect--centered, bright with a Spring overcast, him looking diagonally above the level of the camera, an almost halo of light (probably from an unnecessary flashcan) making his outline sharp, the background grainy and trending toward sepia. He has dark hair. He has ethnic features about his face and some gingivitis so common to youth of that era. His figure emits the unrelenting joy of breaking the cycle of poverty and arriving at the genesis of his dreams, to smell the freshly-raked infield dirt, the echo of last night's game, and the view of a hollow stadium years from the first lighted, night game. In that crystal moment when the photograph was taken, "Bingo" Binks had no idea that on the other side of that lens, 70 years hence, he'd be placed on Facebook.
"Humans yearn to remember, although they mostly forget. To lighten this biological limitation, we have developed tools--from books to videos--that function as external memory for us. These tools have proved tremendously helpful, as they have made remembering easier and accessible to many more people than ever before. But until a few decades ago, these tools did not unsettle the balance between remembering and forgetting: to remember was the exception; to forget, the default." (p. 92)
I DON'T want my grandfather's picture on Facebook. I want that picture on paper only. Granted, it's a form of analog memory, but I want it preserved in the medium that he could have expected it to be passed for generations--as a photo! I don't want him exposed to digital-frenzy and social media. He's still alive, feeble--yes, dementia--yes, incontinent--yes, but he's never been online before, and never pursued a technology beyond what he discovered prior to 1977. The family always called him a caveman born too late; he preferred working with his hands (his post-MLB career was as a master mechanic at Union Pacific for 30 years); a quarter of his acre is still a garden; he makes his coffee by steeping Maxwell grounds in a pot and straining it with the back of a butter knife. His time-capsule picture, I want to stand between it and photoshop, and Flikr, and Tumblr, and thumbnail pictures, and all this crap that strips the genuineness--the one-ness--and rarity from it.
"Digital memory may offer important benefits, but not necessarily all the time. In some instances, people may succeed in gaming or otherwise altering digital memory to further their purposes. Other times, accessible digital memory may enhance short-term efficiency but expose individuals or society to potentially harmful consequences...How would information added over a person's lifetime be interpreted given that the contexts in which the individual information bits had been collected over the years and decades varied greatly?...perfect remembering exposes us to filtering, selection, and interpretation challenges that forgetting has mostly shielded us from." (p. 95)
Viktor Mayer-Schonberger has made a compelling dissection of our current state of digital memory and what ramifications it has for our cognitive understanding of time, culture, and privacy. I view the merits of digital memory with skepticism mostly because I'm a Luddite, a digital immigrant, and have eschewed the most trendy gadgets at Best Buy (my home computer is a speedy 2002 PC with a DSL connection--no MAC, no laptop, no iPhone or blackberry, no flat screen TV). Yep, I'm "Bingo's" caveman grandson. I can only imagine what the future holds for digital memory: storage, access, and durability. Schonberger accepts the risk to privacy, but assumes, through several different means, that the access to--and excess of--digital memory will be a self-restraining or self-correcting phenomenon. I'm not so hopeful.
" Unfortunately, human remembering is not a process of mechanistically retrieving facts from our past, but rather, as...the constant reconstruction of our past based on the present... Present influences play a much larger role in determining what is remembered than what actually happened in the past. While we are constantly forgetting and reconstructing elements of our past, others employing digital remembering can access the unreconstructed facts. Thus, as the past we remember is constantly (if ever so slightly) changing and evolving, the past captured in digital memory is constant, frozen in time. Likely these two visions will clash." (p. 106)
My grandfather doesn't have time remaining when his cellular memory will clash with a digital memory. He'll be gone. That picture in my home will not clash with his blog that may have blasted his baseball career after a particularly bad game performance; it won't clash with a fan's Flikr picture of him missing a throw to first base; it won't clash with several YouTube videos of him striking out; it won't clash with a fan's forum discussing a poor hitting streak; it won't clash with a Vimeo taking a quote out of context; it won't clash with a Twitter post about his removal from next game's batting line-up because he missed practice. No. His past is analogue and mostly protected. His history is my family's collective memory and that photo on my wall. The photo shows gramps as a superstar, and there's no digital information that will contradict that.
"As we expand the use of external memory through digital remembering, we endanger human reasoning a number of ways...First, external memory may act as a memory cue, causing us to recall events we thought we had forgotten. If human forgetting is at least in part a constructive process of filtering information based on relevance, a recall triggered by digital memory of an event that our brain has 'forgotten' may undermine human reasoning. Second, comprehensive digital memory may exacerbate the human difficulty of putting past events in proper temporal sequence. Third, digital remembering may confront us with too much of our past and thus impede our ability to decide and act in time, as well as to learn. The fourth danger is that when confronted with digital memory that conflicts with our human recollection of events, we may lose trust in our own remembering." (p. 118)
In other words: Accessibility + Durability = no longer can you escape the past; the past follows you. Whore, drunkard, unemployed, misquoted, slandered and slanderer, these are event snapshots that will be translated anew every time they're viewed, especially 70 years hence, on MyFaceYouTwitFlikr. Nothing in context; open to judgement. Yeah, yeah, man, we got it, it's social media and we know the rules. We've learned not to talk to strangers and film ourselves having sex. Do you? Do you know the rules when you gesture to your great-grandkids telling stories with your knobby, weathered ninety year old hands? The words I use in this review will intractably be part of my profile forever. And yet, I can't stop. I can no more stop using the media at my disposal than my grandfather could stop his dugout picture from being snapped. Dilemma. Paradoxymoron.
So, I pick up Delete: The Virtue of Forgetting in the Digital Age to see if there's some hope for future constraint, for a digital exit, to enjoy the privacy my grandfather has in burying his memories behind a picture. Schonberger provides options along 3 lines, actions by individuals, by laws, and by technology. He elaborates about Digital Abstinence and Digital Rights Management and Cognitive Adjustment; he speaks of Information Ecology and Privacy Rights and Full Contextualization. Bottom line up front, this stuff scares me. It's going to get a whole lot more intrusive, comprehensive, and egregious before it gets worked out between people, technology, globalism, and the State.
It won't happen, but in 2065 I'd like part of me rolled up seamlessly in a picture, probably the one from Alaska when I volunteered for the Forest Service and bivouacked deep in the maws of a coniferous forest rebuilding trails gullied out by avalanche. I want my kid's grandkids to see the full head of hair I had at 24 and my crystal smile at the genesis of my dreams. Yeah, they'll have this post (Hey kids!!--I've had a wonderful life), and myriad other uncontextualized material--evidence--they can piece together. That's okay. They can do that. It's part of the epoch in which I live. But I'm drawn back to that picture of my grandfather, and when I look as intensely as I can into the aura dabbled around his jersey, and about his hands comfortably gripping the base of a bat, and into his dark Polish eyes, I wonder which way it was meant to be. Should a man's life be the accumulation of every interaction he's made with government, every receipt of commerce, every keystroke on the internet, every pixel of surveillance footage? Or should some of that privacy be relegated to a few heirlooms, some icons, and a postcard from Bavaria, 1931?
I don't know.
New word: panopticon