D.E. Oprava is an award-winning writer, artist, and lecturer. He holds a PhD from Swansea University and is currently the Subject Leader for Creative Writing at Cardiff Metropolitan University. Six of his seven published books are collections of poems; however, his most recent, The Codex Epiphanix (Bluemoose Books, 2016) is a hybrid of prose, poetry, and original artwork. The book hones in on his personal feelings about the essential vs the incidental in literature and how a book, by its very nature, should be a multi-dimensional experience. Oprava has long been a champion of the experimental and when not writing, drawing, or reading, he is trying to find new modes of expression and experiences to fuel the endless creative process.
D.E. Oprava’s new collection of poetry is a turn from his previous endeavors. In his last book of poetry, “American Means,” Oprava explored a hard, gritty, stark political landscape. In his new work, “Sole,” the reader is invited to genuflect on the elementary, starting with a footprint of his daughter, moving towards a common humanity: soul, and ending with a new understanding: sole as in “one.” It is a beautiful, delicate work, beautifully bound, and richly composed. Words so sparse and spare that I want to weep for the lack of them. But each word carries its own weight, so I must not weep. I must not.
Oprava's Sole takes the reader through vivid memories of youth and discovery (of, among other things, the transitional overlap from boyhood into manhood), with such a natural flow, that I felt upon having read it that I'd finished a great novel, without all the fluff. He's a writer who has not only found his Voice, but has crafted it with efficiency and a universal enough lens that it reads confidently like the voice of his (our) generation. Bravo.