Not sure why I keep trying with mysteries. They're really not my thing, at best palate cleansers between other books. I do however love anything set in a great city like Paris. I approached this one with modest expectations.
And gave up. This book can't seem to figure out what it is--a cosy about lovely meals in Paris, or a glimpse of how hard-edged Parisian "flics" are, or an international spy story. The characters behave in inexplicable ways. Why is the hunky bad-boy cop physically roughing up security guards from the minute he walks up to them--why didn't he just ask them questions? Was there some reason to expect them to lie to the police? Who is this suddenly appearing contact of Capucine's in the DGSE--sure he's a cousin, but why do the two of them giggle at each other so much? Oh yeah, and why wait 15 pages to explain what the DGSE is?
Capucine could have been a fun character to follow, but she's too immature for me to care about. Despite her vaguely feminist grumbles to herself, she gets her big break into the criminal division by making sure the big boss can tell she's not wearing a bra with her expensive suit (which, by the way, is just odd from a getting-dressed-for-work point of view). She's attracted to the cop whose case she takes over, and who stays around to "mentor" her, which means he appears at random intervals and leers at her. Her much older, know-it-all husband is annoying too, but I don't want her to dump him just for a younger know-it-all cop.
This felt a bit rough, like it needed another scrub and polish, but the editors were out to lunch. Sometimes I really needed the back stories about the characters' relationships (the husband, the cousin). I for sure needed more clear explanations about French criminal procedure. If the book originally had been written in French, for French readers, I would let it go (was it?). But if the target audience is more familiar with Anglo-American law, then many readers are likely to be curious why a judge examines police evidence *before* a prosecutor gets the case (or does "juge" not mean "judge"?). "Grave Gourmet" tries to explain this through the characters' discussions, but that just made for clunky dialogue. It needed a four-sentence paragraph that works like an aside. That simple--where were the editors?
And don't get me started on why Capucine and her cohorts keep threatening to send witnesses to jail, for like 20 years, even though the witnesses are actually cooperating. French law couldn't possibly allow the police to arrest everyone for no reason, so why not be more clear to the reader that they're bluffing? I wouldn't mind knowing the cops are sneaky; I do mind wondering if they're dim.
For what it's worth, the descriptions of food and wine were absolutely lovely.
Maybe the first of a series always has some kinks, and the second Capucine book works them out. Meanwhile, for mysteries set in modern Paris, Cara Black's books are still a better place to start.