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Storia della letteratura giapponese: Dalle origini al XVI secolo
La prima Storia della letteratura giapponese in italiano che inquadri il fenomeno letterario in un più vasto contesto culturale, spaziando nei campi della storia, della filosofia, della religione e dell’arte.
Kato Shuichi esamina inoltre autori, opere, e movimenti spirituali non soltanto nelle loro specificità linguistiche ed estetiche, ma nel rapporto con una realtà di strutture sociali e di valori di cui la letteratura è specchio e protagonista a un tempo.
Questo primo volume – cui seguono un secondo (dal XVI al XVIII secolo) e un terzo (dall’Ottocento ai giorni nostri) – giunge sino al XVI secolo e spazi a dalla più antica antologia poetica, il Man’yoshii, ai racconti popolari, dalla narrativa delle «dame di corte» di Heian tra cui primeggia l’immortale capolavoro di Murasaki Shikibu, Storia di Genji, alle epopee cavalleresche.
Filo conduttore di tutta l’opera è la convinzione dell’autore che i giapponesi (al contrario dei cinesi e degli occidentali) non siano affatto portati al trascendentale e all’ assoluto, ma siano ancorati a «questo mondo» in una visione prettamente terrena della vita che egli ritrova nella maggior parte della loro produzione culturale.
Kato Shuichi esamina inoltre autori, opere, e movimenti spirituali non soltanto nelle loro specificità linguistiche ed estetiche, ma nel rapporto con una realtà di strutture sociali e di valori di cui la letteratura è specchio e protagonista a un tempo.
Questo primo volume – cui seguono un secondo (dal XVI al XVIII secolo) e un terzo (dall’Ottocento ai giorni nostri) – giunge sino al XVI secolo e spazi a dalla più antica antologia poetica, il Man’yoshii, ai racconti popolari, dalla narrativa delle «dame di corte» di Heian tra cui primeggia l’immortale capolavoro di Murasaki Shikibu, Storia di Genji, alle epopee cavalleresche.
Filo conduttore di tutta l’opera è la convinzione dell’autore che i giapponesi (al contrario dei cinesi e degli occidentali) non siano affatto portati al trascendentale e all’ assoluto, ma siano ancorati a «questo mondo» in una visione prettamente terrena della vita che egli ritrova nella maggior parte della loro produzione culturale.
- GenresNonfiction
381 pages, Hardcover
Published January 1, 1995
27 people want to read
About the author
Shūichi Katō
141 books11 followersShūichi Katō (加藤 周一) was a Japanese critic and author best known for his works on literature and culture.
Born in Tokyo, Katō trained as a medical doctor at the University of Tokyo during World War II, specializing in haematology. The experience of living in Japan during the war and American bombing of Tokyo would shape a lifelong opposition to war, especially nuclear arms, and imperialism. It was also in this period that began to write.
In the immediate postwar period, Katō joined a Japanese-American research team to assess the effects of the atomic bombing of Hiroshima. He subsequently travelled to Paris for a research fellowship at the Pasteur Institute. When he returned to Japan, he turned to writing full time. After participating in a 1958 conference of writers from Asia and Africa, he gave up practicing medicine entirely.
Fluent in French, German, and English, while being deeply focused on Japanese culture and classical Chinese literature, Katō gained a reputation for examining Japan through both domestic and foreign perspectives. He served as lecturer at Yale University, professor at the Free University of Berlin and the University of British Columbia, guest professor at Ritsumeikan University (Dept. of International Relations), and curator of the Kyoto Museum for World Peace. From 1980 until his death, he wrote a widely-read column in the evening culture pages of the Asahi Shimbun in which he discussed society, culture, and international relations from a literate and resolutely leftist perspective.
In 2004, he formed a group with philosopher Shunsuke Tsurumi and novelist Kenzaburō Ōe to defend the war-renouncing Article 9 of the Constitution of Japan.
Born in Tokyo, Katō trained as a medical doctor at the University of Tokyo during World War II, specializing in haematology. The experience of living in Japan during the war and American bombing of Tokyo would shape a lifelong opposition to war, especially nuclear arms, and imperialism. It was also in this period that began to write.
In the immediate postwar period, Katō joined a Japanese-American research team to assess the effects of the atomic bombing of Hiroshima. He subsequently travelled to Paris for a research fellowship at the Pasteur Institute. When he returned to Japan, he turned to writing full time. After participating in a 1958 conference of writers from Asia and Africa, he gave up practicing medicine entirely.
Fluent in French, German, and English, while being deeply focused on Japanese culture and classical Chinese literature, Katō gained a reputation for examining Japan through both domestic and foreign perspectives. He served as lecturer at Yale University, professor at the Free University of Berlin and the University of British Columbia, guest professor at Ritsumeikan University (Dept. of International Relations), and curator of the Kyoto Museum for World Peace. From 1980 until his death, he wrote a widely-read column in the evening culture pages of the Asahi Shimbun in which he discussed society, culture, and international relations from a literate and resolutely leftist perspective.
In 2004, he formed a group with philosopher Shunsuke Tsurumi and novelist Kenzaburō Ōe to defend the war-renouncing Article 9 of the Constitution of Japan.
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