A novel of despair and dark humor
This is a novel about the numbing of our lives. What is our disease? We don't know. What is the cure? There is no cure.
Is this the price we pay for the guilt we feel for never being man enough? How is it that we fail in the midst of success? We are sick, but what is the disease? What is the diagnosis? Where is the pain? It is not physical. We feel it in our minds and in our souls. We are tired, weary. We know the prognosis--it is death, of course--but what is the cause?
In this tortured comédie noire, Professsor Alan Lightman gives us his vision of the materialistic horror that is our lives, the information and subsistence overload that is suffocating us to death. Bill Chalmers, second level management cog, begins to unravel. First his memory goes, and then is recovered, but then the numbness sets in, in his fingers, his legs. And it advances. We watch as he fills up with bile, bile, everything is bile.
We are angry, but like Bill Chalmers we cannot lash out. We are married to the corporation, as Chalmers is to Plymouth where he "processes information." We do not learn that he does anything more specific. It doesn't matter what the information is. He processes it. The company's motto is "The maximum information in the minimum time." The vagueness of the content of their information mirrors the emptiness of our lives. More information for what? Faster for what? To what end? We do not know.
The doctors, who would diagnosis us, Lightman assures us, are like gleeful clowns in their vast ignorance, playing with their high tech toys, a cyclotron for PET scans, a "cell separator...like a portable washing machine...," spinning dials and writing articles for the Annals of Psychosomatic Disease, comparing notes with colleagues over the Internet, by cell phone. Meanwhile the patient is but a curiosity, a subject for examination and study.
Lightman uses the empty dialogue of our lives for comedic effect. We say nothing to one another and we answer with nothing, although sometimes we cry out, and life goes on. Chalmers's wife is numbing herself with alcohol while she conducts a bloodless affair by e-mail. Like Chalmers and his wife, we are estranged from life itself. "He hated the mall the same way he hated himself, except that he hated himself more because he was a part of the mall and he knew it" (pp. 343-344). Yes, the mall and our vast hunger to consume are symptoms of our disease.
Chalmers is angry (as his shrink Dr. Kripke so astutely discerns, although that is all he discerns). Chalmers cries out in his mind: "I'm going to break every machine on this planet...I'm going to rip the phones out of the wall" (p. 303, no exclamation marks). But he never has and he never will, and that is "the problem" that has become "an illness."
How real is Lightman's "diagnosis" of our society? Consider this, the fastest growing class of disease in this country is autoimmune disease, e.g., rheumatoid arthritis, chronic fatigue syndrome, fibromyalgia, etc., diseases of unclear cause in which the body is apparently assaulting itself. (Compare Lightman's delineation on p. 274).
Juxtaposed among the pages is a tale of the last days of Socrates and of one of the men who condemned him. Somehow Anytus, the ancient Greek, and Chalmers, the American, are brothers in their strange failure amid the trappings of worldly success. Anytus killed Socrates, the flower of Grecian civilization. Chalmers is killing himself. Why? Again, they do not know. We have a stupendous wealth of information, but all of it is useless, as Mrs. Stumm, the wife of one of the information executives, tells Chalmers as she waves a hand at a stack of papers, "What is this crap?...Useless. This stuff is useless." (p. 255). She speaks the truth, but they cannot hear it.
Lightman's art owes something to the imagination of Dalton Trumbo's Johnny Got His Gun, in the latter chapters, and something to the spirit of Joseph Heller's Catch-22 throughout. There are shades and echos of the black humor of Evelyn Waugh and Nathanael West. This is a fine novel with a strong sense of the spiritual emptiness of our corporate existence. One senses that Lightman feels that in love there is a flicker of hope, but that is all. The mind goes, like the mind of Chalmers's mother, and with it, the possibility of love. Or perhaps there is a moment of redemption in the intense experience of the minutia of our lives, as when Chalmers studies and lovingly draws the leaf he sees outside his bedroom window. Only this and nothing more interrupts the bleak and lonely landscape of Lightman's vision.
--Dennis Littrell, author of the mystery novel, “Teddy and Teri”