At first, I really wasn't sure I was going to like this book. But Pronzini's neo-noir horror thriller ended up charming me in the end.
I had chosen it to read for two reasons: 1) Leisure Publishing and 2) New Orleans. Regarding the first, I thought this was a classic 80s Leisure horror title, and back in 1981 it was marketed that way. But as I mentioned above, it really is a noir with supernatural elements. Regarding the second, it was clear that Pronzini, though not a native of New Orleans, had developed a true fondness and affection for the place after spending a lot of time there, and his descriptions of the city really captures the essence, spirit, and magic of my old hometown. Through his writing, you can really experience the spice of the jambalaya, the briny tang of the oysters on the half shell, the patchouli on the hipsters, the distant pulse of jazz bands echoing from everywhere, and the sting of a February wind coming off the Mississippi.
In fact, at times this book felt more like a travelogue of the French Quarter and its surrounding environs, and as much as I enjoyed this aspect, I did find myself wishing the author would cut back on name-dropping how many streets he knows and get back to the story. But once he does, the pacing picks up and then the book is hard to put down.
The main character is another element that added a degree of ambivalence about how I felt about the book. Steve Giroux is one of the most down-on-his-luck characters I've read about in a long time, moping about the bars and hotels of the Vieux Carre after a nasty divorce and a fire that burned down his studio. While trying to unwind during a Mardi Gras vacation, he gets his airline tickets stolen, his wallet stolen, and harassed the whole time. At first, he just seemed like a whiny, self-absorbed drunk, and I couldn't understand why I would want to follow his adventures for several hundred pages. But the character is very believable, and you most likely know folks like him, so he grows on you. He constantly criticizes himself for being a weakling, but he has been through constant trauma and keeps on plugging.
So once you get past the first couple of inane scenes of flirtings with a femme fatale in various smoky French Quarter bars, you end up with an effective little thriller that can be quite creepy and tense at times. Check it out next Mardi Gras or for your next summer read.