This 1983 book records a fascinating analysis of the Solidarity movement in Poland. Alain Touraine here proposes an understanding of the place of social movements in contemporary society, and a fresh means of analysing them through 'sociological intervention'. In 1981 he and a team of researchers applied these research methods to the Solidarity movements. Groups of Solidarity activists were involved in a discourse over the nature and aims of their political and economic struggle. What emerges is a record of exceptional value in understanding the movement which transformed Polish society, placed firmly in the terms of the Solidarity activists' own understanding of their role, but equally relating this role to a broad analysis of the social structures of eastern Europe. This reflection on forty years of Communist regimes in Europe will appeal to a wide readership interested in Solidarity and Poland.
Alain Touraine is a French sociologist. He is research director at the École des Hautes Études en Sciences Sociales, where he founded the Centre d'étude des mouvements sociaux (see also Daniel Bertaux). He is best known for being the originator of the term "post-industrial society". His work is based on a "sociology of action," and believes that society shapes its future through structural mechanisms and its own social struggles. Touraine defined historicity as the capability of a society to take action upon itself, see The Self-Production of Society (1977). His key interest for most of his career has been with social movements. He has studied and written extensively on workers' movements across the world, particularly in Latin America and more recently in Poland where he observed and aided the birth of Solidarnosc (Solidarity), see Solidarity: The Analysis of a Social Movement (1983). While in Poland, he developed the research method of "Sociological Intervention," which had been outlined in "The Voice and the Eye" (La Voix et le Regard) [1981]. Touraine has gained immense popularity in Latin America as well as in continental Europe. Yet he has failed to gain anywhere near the same recognition in the English-speaking world. Out of twenty or so books, only about half of them have been translated into English. He participated in 1969 at MoMA's Universitas project organized by Argentine architect Emilio Ambasz. In 2010, he was jointly awarded, with Zygmunt Bauman, the Príncipe de Asturias Prize for Communication and the Humanities.