Resulta difícil presentar a Karl Lagerfeld, el más mediático de los diseñadores de moda. A pesar de su exposición pública como responsable de Chloé, Chanel, Fendi y su marca homónima, a lo largo de su vida jugó al despiste e inventó una mitología personal con el objetivo de guardar celosamente su privacidad y rodearse de un halo de misterio. El rostro de una fascinante esfinge que Marie Ottavi descifra al hilo de las declaraciones de aquellos que lo conocieron más de cerca y que nos hablan de la determinante influencia de su madre; de su gran amor, Jacques de Bascher, o de su antigua amistad/rivalidad con Yves Saint Laurent. Figura inabarcable que puede recordar a otros ilustres titanes alemanes, con facilidad para el diseño y voluntad de acero, Lagerfeld supo adaptarse a su época, doblegarla y reinar sobre ella.
In my opinion, biographies only work if the biographer is able to keep the subject at a bit of a distance and is able to view their subject critically. Marie Ottavi was able to manage this with Karl Lagerfeld. Ottavi successfully takes the groundwork laid by Alicia Drake in The Beautiful Fall and expands on it, without the book feeling like a derivative re-hash of the chic and debauched, friends and enemies. While I think Alfons Kaiser did an expert job at researching Karl Lagerfeld's early life in his biography, Ottavi leaves practically no stone unturned. I have to give her credit for being able to find Collette Bianchi (who won the International Wool Secretariat competition in 1954 alongside Karl and Yves Saint Laurent, who's name is but a footnote in their lives). She also relies on two interviews she conducted with Karl himself as part of her research for her Jacques de Bascher biography, these prove to be invaluable.
Ottavi is particularly successful at focusing on Karl Lagerfeld's work as a fashion designer. She does an excellent job (I think the best) at tracing his career and evolution from Chloe, Fendi, Chanel and his own brands, alongside the massive changes occurring within fashion from the 1960s to 2010s. Especially focusing on WHY he was able to be as successful as he was with Chanel, because his reliance on the Chanel codes at the time was really genius, in retrospect (perhaps too overbearing as time went on), but no one was reviving fashion houses in 1983. It almost reads like a history of modern fashion, as he was someone who was always able to capture the zeitgeist of the times.
Karl Lagerfeld was such a bizarre, paradoxical figure. He had the Sword of Damocles hanging over all of his relationships, but also extremely loyal (as long as you didn't piss him off). It's obvious that he was also, surprisingly, sensitive. He could never say it explicitly, but reading about the affect that Jacques de Bascher's illness and death had on Karl is really quite harrowing. After de Bascher's death, he cut himself off from "happiness" (as Patrick Hourcade writes in his book about Karl) and lost interest in himself, as he said. He had as many enemies as he had "friendships" (if you can call them that). Ottavi never lets you forget his intense rivalry with Yves Saint Laurent/Pierre Bergé, which is always lingering in the background. Despite the affair between YSL/Jacques de Bascher, Ottavi presents the rivalry was a feud that's truly between Karl and Bergé (so intense he even removes the Saint Laurent Paris of Hedi Slimane's designs). Ottavi doesn't forget about his numerous other feuds, from Azzedine Alaïa to Audrey Tautou! I can't get the image of Karl making Carine Roitfeld watching Baptiste on Danse avec les stars out of my head!!
Super intéressant de lire sur sa carrière et sa vie personnelle, et t'apprends des choses sur d'autres couturiers comme par exemple Yves Saint Laurent lol (j'ai jamais aimé et j'ai bien fait)
Hyper intéressant mais tel ment long pour ma part à lire car j’ai trop enchaîné de livres sur sa vie en très peu de temps, ce qui m’a mis en panne de lecture à cause de ce livre malgré le fait qu’il soit très intéressant et très complet