There’s a scene in the excellent baseball film Bull Durham where the players are meeting on the pitcher’s mound. The discussion shows no signs of ending, so the team’s manager sends a coach out to break it up. When he asks what’s going on, Kevin Costner replies “We’re dealing with a lot of shit.” He could’ve been talking about Nancy Garden’s fine YA novel, The Year They Burned the Books. Censorship, coming-of-age, coming out, bullying, friendship, free speech, sex ed, homophobia, stealth politics, and not a few more things exist here. Garden, though, skillfully blends them all into a comfortable mélange whose ultimate message is a hopeful one, where the disparate elements combine to support her conclusions.
Concerning topics with the potential to become preachy, Garden’s natural, easy-going style avoids the pitfalls of pedantry. Her point of view is clear, but it never seems forced upon us, as is so often the case with works from the opposing point of view. Our protagonist’s views are strongly held, but they are reasoned, as well. There’s conviction, but without shrillness.
The Year They Burned the Books is not so well known as the author's other, more relationship-oriented novels, and that’s too bad. The themes of this book are not only important ones, but timely, as well. Not only are the dangers of which Garden’s cautionary tale warns us still in existence, they are, in an era of Tea Party demagoguery, thriving. That makes stories like this one all the more important. There are lessons to be learned not just for young adults, but for adults, too. This is the sort of book which needs to be widely read.
This is an action, or perhaps, issue driven novel. However, the action also serves as a means of character development. The major characters are considerably changed by the end of the story, thanks to their encounters with the events which impel the drama. Jamie is not stronger in the end so much as she is more able to recognize that strength.
One of the book’s greatest strengths is the auctorial decision not to have Jamie and Tessa become a couple, which would have shifted focus from the points Garden is trying to make: Only when we have access to all the available information can we wisely make decisions which will affect the rest of our lives; it is possible to agree to disagree, and, though difficult, it’s also possible for friends to remain friends despite holding diametrically opposing viewpoints; what begins as seemingly innocuous verbal taunting can easily escalate into violence, especially in a atmosphere of divisiveness fostered by ignorance; true family values are not moral judgments, but, rather, intelligent guidance, love, support, and the freedom to be who we are. The family values exemplified by Lisa Buel in this novel are stifling rather than nurturing.
The points Garden makes here are important ones, and The Year They Burned the Books deserves and demands a wider readership than I fear it is likely to get. It’s nearly fifteen years old, now, but the perils of which Garden warns are as real as today’s headlines. One need only turn on Fox News or open the paper to an Ann Coulter diatribe to realize how prevalent are the reactionary views which threaten to control our thoughts. That the author packages her message(s) in an extremely enjoyable and interesting narrative with a very likable and admirable lead character is an added bonus.
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