Against the grain of modern historical thought, Mack P. Holt argues that the French Wars of Religion weren't just a cloak for personal or political power struggles. Nor were they the mere upshot of the socio-economic tensions resulting from the rise of the merchant class. The wars, Holt insists, were about what they claimed to be about: the irreconcilable religious differences that dissected France in the aftermath of the Protestant Reformation.
At the same time, Holt emphasizes religion in sixteenth century terms, less as a body of beliefs than as a community of believers. "Protestants and Catholics alike..." he writes, "viewed each other as pollutants of their own particular notion of the body social, as threats to their own conception of ordered society." Holt underscores the degree to which the French monarchy—and by extension, the French nation itself—was a religious institution, so inextricably intertwined with Roman Catholicism as to make the idea of a secular society of religious toleration seem, not merely problematic, but oxymoronic.
Holt argues that the Edict of Nantes (1598), which allegedly brought the wars to an end, was not the victory for liberty of conscience that many have claimed. It was a tactical concession by the Catholics to buy the time they needed to reimpose religious uniformity in France. He disputes the common perception that Henri of Navarre's conversion to Catholicism was a cynical gesture to win the French throne. The famous phrase “Paris vaut bien un messe” (“Paris is well worth a mass”) was only ever attributed to him by his enemies. Bearing witness to the violent anarchy that tormented the people of France for three decades had convinced Henri of the principle of "un roi, une foi, une loi" (“one king, one faith, one law”). Henri's conversion to Catholicism, in short, was sincere. The subsequent persecution of the French Protestants ("Huguenots") would have proceeded apace, even if Henri's reign hadn’t been cut short by an assassin’s dagger. (I have my own thoughts on this issue, but I’ll save them for another review.)
In his introduction, Holt refers to the book as a “popular history,” but its tone and structure are academic. The stress is on the theological, economic, and social. The outstanding personalities of the war—Catherine de Medici, Henri III, Margaret of Valois, Henri of Guise, Jeanne de Navarre, Henri IV, Gaspard de Coligny, and others--do duly appear, but don’t come to life as in some other, more accessible works on the period. This is far from the first book I’d suggest for the casual reader.
For the less well initiated, I'd recommend starting with Catherine de Medici: Renaissance Queen of France by Leonie Frieda, Henry of Navarre: The King Who Dared by Hesketh Pearson, or (if you can find a copy) The Edict of Nantes by Noel B. Gerson. For a classic fictitional treatment, there's La Reine Margot by Alexandre Dumas. (The 1994 cinematic adaptation, staring the breathtaking Isabelle Adjani, is excellent.)