Although best known as a master of the formal lyric poem, Louise Bogan (1897–1970) also published fiction and what would now be called lyrical essays. A Poet’s Selected Writings of Louise Bogan showcases her devotion to compression, eloquence, and sharp truths.
Louise Bogan was poetry reviewer for the New Yorker for thirty-eight years, and her criticism was remarkable for its range and effect. Bogan was responsible for the revival of interest in Henry James and was one of the first American critics to notice and review W. H. Auden. She remained intellectually and emotionally responsive to writers as different from one another as Caitlin Thomas, Dorothy Richardson, W. B. Yeats, André Gide, and Rainer Maria Rilke.
Bogan’s short stories appeared regularly in magazines during the 1930s, penetrating the social habits of the city as well as the loneliness there. The autobiographical element in her fiction and journals, never entirely confessional, spurred some of her finest writing. The distinguished poet and critic Mary Kinzie provides in A Poet’s Prose a selection of Bogan's best criticism, prose meditations, letters, journal entries, autobiographical essays, and published and unpublished fiction.
Louise Bogan won the Bollingen Prize in 1954 for her collected poems. She is the subject of the Pulitzer Prize-winning biography by Elizabeth Frank, Louise A Portrait.
She was appointed the fourth Poet Laureate to the Library of Congress in 1945.
As poetry editor of The New Yorker magazine for nearly 40 years, Bogan played a major role in shaping mainstream poetic sensibilities of the mid-20th Century.
The Poetry Foundation notes that Bogan has been called by some critics the most accomplished woman poet of the twentieth century. It further notes that, "Some critics have placed her in a category of brilliant minor poets described as the "reactionary generation." This group eschewed the prevailing Modernist forms that would come to dominate the literary landscape of the era in favor of more traditional techniques.
Dictionary of Literary Biography contributor Brett C. Millier named Bogan "one of the finest lyric poets America has produced," and added that "the fact that she was a woman and that she defended formal, lyric poetry in an age of expansive experimentation made evaluation of her work, until quite recently, somewhat condescending."
Elizabeth Frank's biography of Louise Bogan, Louise Bogan: A Portrait, won a Pulitzer Prize in 1986.
It's amazing how many authors and unknown books are out there . This woman came to my attention through the wonderful neglected book page who makes a point of discovering or rather re discovering neglected or forgotten or simply unknown books and authors . I was never a fan of poetry but I found it fascinating to read about poets and poems with such intellectual prose as Louise Bogan puts forth in this work . This is the second book I've read by her . I don't know why I find it so interesting to read about an author I never heard of and also find it interesting that I usually enjoy reading about the person far more than I do about the books they wrote oddly enough. Dawn Powell comes to mind . A fascinating life story but couldn't finish any of her books . Louise Bogan died in 1970 when I was 20 years old , living her life and much of it in New York City where I spent almost every working day .theres a lot of information you can find out about her so I won't go in to it here but she is truly an incredible writer getting my interest in almost everything she writes . Who are these poets and writers she critiques? I kept googling and reading and reading about dozens of people I never heard of and finding her explanations of poems and poets so interesting that I have a nice little list to look forward too .